Artheon MuseumArtheonMuseum

Terracotta column-krater (bowl for mixing wine and water)

Terracotta column-krater (bowl for mixing wine and water) by Göttingen Painter

Medium

Terracotta

Dimensions

Height: 13 7/16 in. (34.2 cm) Diameter: 10 13/16 in. (27.5 cm) Width (with handles): 13 1/8 in. (33.3 cm)

Classification

Vases

Culture & Period

Greek, Attic · Late Archaic

Department

Greek and Roman Art

Museum

Metropolitan Museum of Art, New York, NY

Credit

Edward C. Moore Collection, Bequest of Edward C. Moore, 1891

Accession Number

91.1.462

Rights

Public Domain

Tags

MenAnimalsShields

Art Historical Context

This terracotta column-krater, created around 500 BCE in Athens during the Late Archaic period, served a central role in Greek social life as a vessel for mixing wine and water at symposia. Standing just over 13 inches tall, its sturdy form with distinctive columnar handles reflects the practical yet elegant design favored by Attic potters. Such kraters were not merely utilitarian; they often took pride of place in gatherings where conversation, poetry, and ritual drinking intertwined. Attributed to the Göttingen Painter, the vase exemplifies the transition in Attic ceramics from black-figure to early red-figure techniques. Its painted decoration, featuring men, animals, and shields, likely evokes heroic or mythological themes common in the era, inviting viewers to connect everyday feasting with epic narratives. As part of the Metropolitan Museum’s Greek and Roman collection, this piece highlights how Athenian artisans elevated humble clay into sophisticated storytelling objects that bridged art, myth, and daily ritual.

About the Artist

Göttingen Painter

**The Göttingen Painter** was an Attic Greek vase painter active in the early fifth century BCE, during the transition from the Late Archaic to the Early Classical period. Named by scholars after a fragmentary column-krater in the collection of the University of Göttingen that depicts a lively komos scene, he is recognized primarily through stylistic attributions rather than any signed works. His ...

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