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The Betrothal of Mary of Burgundy; Young Maximilian; The Struggle for the Burgundian Succession; The Battle Near Therouanne; The War in Guelderland; and The Utrecht Feud, from the Arch of Honor, proof, dated 1515, printed 1517-18
1515
Maximilian's Prowess in the Chase; and The Legend of the Holy Coat of Treves; with Portraits of Emperors and Kings (Maximilian's Forerunners), from the Arch of Honor, proof, dated 1515, printed 1517-18
1517/1518
The First Flemish Rebellion; The Campaign Against Liège; The Coronation of Maximilian; The Second Flemish Rebellion; The Alliance Between Philip I of Castile and Henry VII; The Victory Against France, from the Arch of Honor, proof, dated 1515, printed 1517-18
1515
The Egyptians Crossing the Red Sea, from Das Buch Granatapfel
1511
The Lower Portiion of the Cupola of the Central Portal, with Herolds Flanking a Central Placard, from the Arch of Honor, proof, dated 1515, printed 1517-18
1515
Peter from Christ, the Apostles and St. Paul
Portraits of Maximilian's Relatives; and the Base of the Left Outer Column with the Date 1515, from the Arch of Honor, proof, dated 1515, printed 1517-18
1515
The Lower Portion of the Genealogy of Maximilian; with the Left Edge of the Scroll for the Explanatory Text, from the Arch of Honor, proof, dated 1515, printed 1517-18
1515
Tournaments and Masquerades; and Maximilian's Genealogical and Heraldic Studies; with a Statue of Albrecht the Lucky; and Portraits of Maximilian's Ancestors and Relatives,from the Arch of Honor, proof, dated 1515, printed 1517-18
1515
The Upper Section of the Entryway to the Central Portal with a Winged Figure Holding the Imperial Crown, from the Arch of Honor, proof, dated 1515, printed 1517-18
1515
The Middle Portion of the Genealogy of Maximilian, from the Arch of Honor, proof, dated 1515, printed 1517-18
1515
Maximilian as Architect; with a Statue of St. Leopold; and Busts of Maximilian's Ancestors and Relatives, from the Arch of Honor, proof, dated 1515, printed 1517-18
1517/1518
More by Mathäus Küsel
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Theatrical scene with four figures on a staircase in the distance, two of which are engaged in a brawl
ca. 1660–82
The Elysian Fields; set design from 'La Monarchia Latina Trionfante'
1678
A grotto with collapsing rocks, opening to a sky full of the enthroned gods of Olympus, including Jupiter, Apollo, Mars, Venus, and Mercury; set design from 'La Monarchia Latina Trionfante'
1678
The Seat of Saturn; Saturn at center, seated on a throne of rubble, conversing with a king and three men who stand before him; lining the walls on each side are four figures of Saturn devouring children; set design from 'La Monarchia Latina Trionfante'
1678
Prologue; the stage curtain is lifted to reveal a soldier on an elephant surrounded by his army; above Jupiter and his eagle look down on men carrying boulders; set design from 'La Monarchia Latina Trionfante'
1678
An army marching through a field; soldiers on foot at left and right, while others ride elephants and camels down the center; set design from 'La Monarchia Latina Trionfante'
1678
Magnificent Hall of Astrea; men and women gathered in the street to view a procession through a triumphal arch and down the stairs into the city; the procession is led by a female wearing a crown, she is followed by various figures in varying costume; set design from 'La Monarchia Latina Trionfante'
1678
Men and women gathererd in the street to view the entrance of a royal figure, who is carried into the city on a throne; set design from 'La Monarchia Latina Trionfante'
1678
The Arsenal; two soldiers conversing with two women on the right as a group of soldiers look on from the left; set design from 'Il Fuoco Eterno'
1674
The Roman curia with guards in the anteroom; set design from 'Il Fuoco Eterno'
1674
A woman standing on the right side of a road lined with columns; at center a statue of a female with cupid flying nearby; to the left, a woman emerging from the clouds as another sits among flames above; set design from 'Il Fuoco Eterno'
1674
Throne room with a man in classical armor standing at center addressing a man seated on a throne at left; soldiers lined on either side of the room; set design from 'Il Fuoco Eterno'
1674