The Adoration of the Angels

Art Historical Context

Carlo Maratti, a leading figure of the Roman Baroque, created this intimate etching in seventeenth century. Working in a refined classical style influenced by Raphael and the Carracci, Maratti specialized in graceful religious subjects that balanced emotional warmth with compositional clarity. The small print, measuring just under seven by inches, captures the tender moment of the Madonna and Child surrounded by adoring angels a theme that resonated deeply with Counter-Reformation audiences seeking devotional images. As an etching in its second state of three, the work demonstrates the artist’s mastery of the medium’s delicate line work and tonal subtlety. Etching allowed Maratti to reach a wider audience beyond his large-scale altarpieces, circulating sacred imagery through prints that were both affordable and finely detailed. This particular impression, now in the Metropolitan Museum’s collection, preserves the luminous quality typical of Maratti’s graphic work. The composition’s focus on celestial harmony and maternal devotion reflects the era’s renewed emphasis on accessible religious art. Through its modest scale and precise technique, the etching invites quiet contemplation while showcasing Maratti’s enduring contribution to Baroque printmaking.

About the Artist

Carlo Maratti · 1625–1713

Son of a Dalmatian father. Known as the last major Italian artist of the classical tradition, which had originated with Raphael. He created a grandiose and decorative style that was valued by his ecclesiastical patrons. Comment on works: History; Religious.