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The Colonnade, Glasgow Exhibition

The Colonnade, Glasgow Exhibition by Muirhead Bone

Medium

drypoint in black

Dimensions

plate: 16.83 × 16.51 cm (6 5/8 × 6 1/2 in.)

Classification

Print

Department

CG-W

Museum

National Gallery of Art, Washington, D.C.

Credit

Rosenwald Collection

Accession Number

1943.3.1949

Rights

Public Domain

Art Historical Context

**The Colonnade, Glasgow Exhibition** (1901) by Muirhead Bone captures the architectural splendor of one of Britain's grand international expositions. This intimate drypoint print depicts the elegant colonnade from the Glasgow International Exhibition, a lavish event held in Kelvingrove Park that showcased industrial innovation, arts, and imperial achievements to over 11 million visitors. At just 16.83 × 16.51 cm, Bone's work distills the exhibition's monumental scale into a precise, atmospheric vignette, inviting viewers to linger on its classical columns and implied grandeur. Bone, a leading Scottish artist of the early 20th century, was celebrated for his masterful prints that blended realism with subtle tonal depth, often focusing on urban and architectural subjects. Drypoint, his chosen medium here—incising lines directly into a copper plate with a sharp tool—produces a distinctive burr that holds ink, yielding velvety blacks and delicate textures unmatched by etching. This black-ink technique emphasizes light and shadow, evoking the exhibition's bustling energy even in stillness. Housed in the National Gallery of Art's Rosenwald Collection, this print highlights Bone's early prowess at age 25 and the era's fascination with world's fairs as stages for modernity. A testament to printmaking's power, it transports us to Glasgow's vibrant 1901 moment. (198 words)

About the Artist

Muirhead Bone · 1876–1953

Sir Muirhead Bone was born in Glasgow on March 23, 1876, into a world of shipyards and industrial architecture that would profoundly shape his art. He trained initially in architectural draftsmanship before studying at Glasgow School of Art, developing a draughtsman's eye for structure and mass. He began printmaking in 1898, and though his first known print was a lithograph, he became celebrated a...

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