The Entombment

Art Historical Context

Visitors to the Metropolitan Museum of Art's Drawings and department will find *The Entombment*1850), a poignant steel engraving by Johann Friedrichbeck, with Joseph van Keller as the engraver. This second-state impression captures a sacred biblical moment: the lowering of Christ's body into the tomb, surrounded by grieving figures including men and women. Overbeck, a key figure in Germany's Nazarene movement—a 19th-century revival of Raphael-inspired purity and religious devotion—infused his works with spiritual intensity and classical clarity, making this scene a testament to his commitment to devotional art. Steel engraving, a technique perfected in the early 1800s, allowed for exceptionally fine lines and durability, enabling high-quality reproductions far beyond traditional copper plates. Keller's skilled translation preserves Overbeck's delicate modeling and emotional depth, with the plate's modest size (13¾ × 16½ inches) contrasting the generous sheet (20¼ × 23⅝ inches). Acquired through the Harris Brisbane Dick Fund in 1947, this print reflects the era's booming market for affordable religious imagery amid Romanticism's spiritual fervor. This artwork bridges painting and printmaking, inviting contemplation of Christ's sacrifice while highlighting 19th-century innovations in reproductive art. A subtle yet profound piece, it embodies Overbeck's quest for timeless faith in a modern age.

About the Artist

Johann Friedrich Overbeck|Joseph van Keller · 1789–1869

**Johann Friedrich Overbeck** (3 July 1789 – 12 November 1869) was a German painter and a founder of the Nazarene movement. Born in Lübeck into a prominent Protestant family—his father, Christian Adolph Overbeck, was a doctor of law, poet, mystic pietist, and burgomaster—he received early classical and artistic instruction at the local Gymnasium under his uncle. Overbeck left Lübeck in 1806 to st...