Artheon MuseumArtheonMuseum

The Farnese Hercules

Giorgio Ghisi

late 1570s

The Farnese Hercules by Giorgio Ghisi

Medium

Engraving

Dimensions

sheet: 12 11/16 x 6 3/4 in. (32.3 x 17.1 cm) borderline

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Harris Brisbane Dick Fund, 1958

Accession Number

26.50.1(159)

Rights

Public Domain

Tags

Hercules

Art Historical Context

Behold the majestic *The Farnese Hercules*, a stunning engraving by the masterful Italian printmaker Giorgio Ghisi, created in the late 0s. This work captures the iconic ancient Roman marble statue of Hercules—discovered in the Baths of Caracalla in1546 and now housed in Naples—depicting the hero in a moment of weary triumph after his labors, club in hand and golden apples at his feet. Ghisi, a leading Mannerist engraver who worked in Antwerp, masterfully translated the sculpture's colossal scale and muscular anatomy into intricate lines on paper, measuring 12 11/16 x 6 3/4 inches. Engravings like this were revolutionary in the Renaissance, democratizing access to classical antiquities that few could see in person. Ghisi's technique—using a burin to incise fine, precise lines into a copper plate—produced rich tonal contrasts and a sense of three-dimensional depth, mimicking the statue's dramatic contrapposto pose. Acquired through the Harris Brisbane Dick Fund in 1958, it resides in the Metropolitan Museum of Art's Drawings and Prints department. This print not only celebrates Hercules as a symbol of superhuman strength and heroism but also reflects the era's obsession with rediscovering Greco-Roman ideals, influencing artists from Michelangelo to Rubens. A true gem for visitors, it bridges antiquity and the print revolution!

About the Artist

Giorgio Ghisi · 1520–1582

Giorgio Ghisi (c. 1520–1582) was one of the most accomplished engravers of the Italian Renaissance, renowned for translating the monumental compositions of Raphael, Giulio Romano, and Michelangelo into the exacting medium of the burin. Born in Mantua, he trained in an environment shaped by the legacy of Giulio Romano's decoration of the Palazzo del Te, and the grandeur of that Mannerist tradition ...

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