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“The First Knot”. Interlaced Roundel with an Oblong Panel in its Center

“The First Knot”. Interlaced Roundel with an Oblong Panel in its Center by Albrecht Dürer|Leonardo da Vinci

Medium

Woodcut

Dimensions

sheet: 10 11/16 x 8 3/8 in. (27.1 x 21.2 cm)

Classification

Prints|Ornament & Architecture

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

George Khuner Collection, Bequest of Marianne Khuner, 1984

Accession Number

1984.1201.31

Rights

Public Domain

Art Historical Context

Behold *The First Knot: Interlaced Roundel an Oblong Panel in its Center*, a captivating woodcut attributed to Albrecht Dürer Leonardo da Vinci, created before 1521. 10 11/16 x 8 3/8 inches, this print exemplifies the Renaissance fascination with intricate ornamental designs, blending mathematical precision with artistic elegance. Housed in the Metropolitan Museum of Art's Drawings and Prints department as part of the George Kh Collection (bequest of Marianne Khuner 1984), it the era's humanist pursuit of harmony in form. Dürer, a master of the Northern Renaissance, revolutionized woodcut printing with his technical virtuosity, carving fine details directly into wood blocks to achieve unprecedented clarity and depth. This piece, classified under Prints: Ornament & Architecture, features a mesmerizing interlaced roundel framing a central oblong panel—likely a study in geometric interweaving that echoes da Vinci's own explorations of knots and topology in his notebooks. Such designs influenced architecture, decorative arts, and even early scientific illustration, symbolizing infinity and interconnectedness. For visitors, this work invites closer inspection of its illusory depth, where shaded ribbons seem to twist endlessly. A testament to cross-cultural genius between German and Italian masters, it highlights how printmaking democratized complex ideas, making Renaissance ingenuity accessible to all.

About the Artist

Albrecht Dürer|Leonardo da Vinci · 1471–1528

Albrecht Dürer (1471–1528) stands as the preeminent figure of the Northern Renaissance and arguably the most influential artist in the history of printmaking. Born in Nuremberg on May 21, 1471, and dying in the same city on April 6, 1528, Dürer revolutionized the status of the artist in Northern Europe, transforming printmaking from a commercial craft into an independent fine art and establishing ...

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