The hotel clerk, the neighbors, his roommate of three years... no one knew a thing about the dead young man in the hotel room -- not even his real name, or where he worked. The man lay fallen back on the bed, eyes fixed to the ceiling, a hypodermic needle in his arm. "How did this guy die?" I asked the cop. "Dirty drugs." I learned later that he had been a police informant, New York City
1972
Image not available — this artwork is under copyright
View on museum website →Medium
gelatin silver print
Dimensions
image: 20.7 × 30.5 cm (8 1/8 × 12 in.) sheet: 27.9 × 35.3 cm (11 × 13 7/8 in.)
Classification
Photograph
Department
CPH
Museum
National Gallery of Art, Washington, D.C.
Credit
Gift of Brigitte Freed
Accession Number
2017.166.29
Art Historical Context
In 1972, acclaimed documentary photographer Leonard Freed captured stark, unflinching moment in New York City with *The hotel clerk, the neighbors, his roommate three years... no one a thing about the dead man in the hotel room This gelatin silver print, a classic black-and-white medium prized for its rich tonal depth and fine detail, measures 20.7 × 30.5 cm and now resides in the National Gallery of Art gifted by Brigitte Freed. The image confronts viewers with a young man sprawled lifeless on a hotel bed, eyes staring blankly at the ceiling, a hypodermic needle still in his arm. The evocati...
About the Artist
Leonard Freed
Leonard Freed (1929–2006) was born in Brooklyn, New York, to working-class Jewish parents of Eastern European descent. He initially aspired to be a painter, but discovered photography while travelling in the Netherlands and was swiftly captivated by its capacity for immediate, unmediated witness. Returning to the United States, he studied under Alexey Brodovitch at The New School in New York, abso...