The Legislative Belly
January 1834
Medium
Lithograph on wove paper
Dimensions
sheet: 13 11/16 x 19 5/8 in. (34.7 x 49.8 cm) image: 11 1/8 x 17 1/16 in. (28.2 x 43.4 cm)
Classification
Prints
Department
Drawings and Prints
Museum
Metropolitan Museum of Art, New York, NY
Credit
Bequest of Edwin De T. Bechtel, 1957
Accession Number
57.650.185
Rights
Public Domain
Tags
Art Historical Context
**The Legislative Belly** is a striking lithograph created by the renowned French caricaturist Honoréumier in collaboration with publisher Charles Philipon January 1834. on wove paper, work measures about 13½ by 19½ inches and exemplifies Daumier's mastery of satirical printmaking during the July Monarchy.oused in the Metropolitan Museum of Art's Drawings and Prints department, captures a grotesque, bloated depiction of the French Chamber of Deputies as a massive, corpulent belly—symbolizing gluttony, corruption, and excess the ruling elite. Produced amid rising political tensions under King Louis-Philippe, the print skewers the bourgeois-dominated legislature, portraying its members as indistinguishable, self-indulgent figures crammed into a digestive organ. Daumier and Philipon, key figures in journals like *La Caricature*, used such bold imagery to critique government complacency and inequality, often risking censorship. This piece reflects the era's vibrant tradition of political caricature, which empowered ordinary citizens through accessible, mass-reproduced visuals. Lithography's greasy crayon technique allowed Daumier to achieve dynamic shading and expressive distortion, making the satire both visually compelling and widely distributable. A testament to 19th-century French dissent, *The Legislative Belly* remains a powerful reminder of art's role in challenging authority. (198 words)
About the Artist
Honoré Daumier|Charles Philipon · 1810–1879
Honoré-Victorin Daumier (1808-1879) was a prolific French printmaker, caricaturist, painter, and sculptor whose works offered incisive commentary on the social and political life of 19th-century France. Known as the 'Michelangelo of Caricature,' Daumier produced over 4,000 lithographs, 500 paintings, 1,000 drawings, and 100 sculptures during his lifetime. His biting political satire led to his imp...