The Little Goat (La capretta)

Art Historical Context

Domenico Morelli, a Neapolitan artist of the 19th century (1826–1901), was renowned for his dramatic history paintings and Romantic sensibilities, often infused with emotional depth and classical influences. *The Little Goat (La capretta)*, created around 1879, exemplifies his versatility in printmaking, likely translating a pastoral or genre scene into an intimate etching. This late-Romantic work captures the tender charm of rural life in post-unification Italy, where artists like Morelli celebrated everyday motifs amid broader cultural shifts toward Realism. The medium—etching and aquatint on laid paper—highlights Morelli's technical prowess. Etching allows precise line work for contours, while aquatint adds rich tonal gradations, perfect for rendering the soft fur and playful form of the young goat. At just 12.9 × 19 cm, the plate size invites close viewing, revealing the intricate textures achievable in 19th-century printmaking, a democratic art form that made fine art accessible beyond oil paintings. Acquired by the National Gallery of Art as the gift of Ann and Matthew Nimetz (Department CG-E), this print offers visitors a window into Morelli's multifaceted career and the era's fascination with nature's innocence. A delightful gem for print enthusiasts!