江戸高名会亭尽 王子 扇屋|The Ōgiya at Ōji

Utagawa Hiroshige

ca. 1835–42

江戸高名会亭尽 王子 扇屋|The Ōgiya at Ōji by Utagawa Hiroshige

Medium

Woodblock print; ink and color on paper

Dimensions

H. 9 3/8 in. (23.8 cm); W. 14 3/16 in. (36.1 cm)

Classification

Prints

Culture & Period

Japan · Edo period (1615–1868)

Department

Asian Art

Museum

Metropolitan Museum of Art, New York, NY

Credit

Rogers Fund, 1919

Accession Number

JP1170

Tags

WomenBuildingsStreams

Art Historical Context

Utagawa Hiroshige1797–1858), a master of ukiyo-e wood prints, captures the vibrant social life of Edo-period Japan in *The Ōgiya at Ōji* (ca. 1835–42). This print belongs to his series *Edo kōmei kaitei-zu* (Famous Teahouses of), celebrating popular pleasure spots where urbanites escaped daily routines. Ōji, a scenic suburb northwest of central Edo (modern Tokyo), was known for its streams and hillside teahouses like the Ōgiya, blending nature and leisure. The intimate scene features elegant women—likely courtesans or entertainers—gathered outside the teahouse amid lush greenery and a flowing...

About the Artist

Utagawa Hiroshige · 18261869

Utagawa Hiroshige (1797–1858), born Andō Tokutarō, was the last great master of Japanese ukiyo-e woodblock printmaking and one of the most influential landscape artists in history. Born in Edo (modern Tokyo) into a low-ranking samurai family serving as fire wardens, Hiroshige transformed landscape printmaking into a poetic meditation on nature, weather, and everyday life. His revolutionary approac...

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