Artheon MuseumArtheonMuseum

The Spanish Singer

Edouard Manet

1861–62

The Spanish Singer by Edouard Manet

Medium

Etching and bitten tone; second state of seven

Dimensions

plate: 12 1/8 x 9 5/8 in. (30.8 x 24.4 cm) sheet: 13 7/16 x 10 5/16 in. (34.2 x 26.2 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1952

Accession Number

52.608.2

Rights

Public Domain

Tags

MenGuitarsSingers

Art Historical Context

Edouard Manet's *The Spanish Singer* (1861–62) captures the vibrant spirit of a male guitarist and singer, evoking the flair of Spanish performers popular in 19th-century Paris cafés. Created during Manet's early maturity, this etching reflects his fascination with Spanish culture, influenced by masters like Velázquez and G. The work ties into Manet's broader exploration of modern life and exoticism, bridging Realism and the emerging Impressionist movement he helped pioneer. Rendered in etching and bitten tone—the second state of seven—this print showcases Manet's innovative printmaking. Etching involves drawing through a waxy ground on a metal plate, allowing acid to "bite" lines for sharp detail, while bitten tone adds subtle, painterly shading through controlled acid exposure. These revisions across states reveal Manet's meticulous refinement, transforming a flat medium into a richly textured image of the singer's expressive pose and instrument. Housed in the Metropolitan Museum of Art's Drawings and Prints department, this 12⅛ × 9⅝-inch plate (from The Elisha Whittelsey Collection) highlights Manet's versatility beyond oils. It invites visitors to appreciate how prints democratized art, making his bold, controversial style accessible to a wider audience amid the cultural buzz of Second Empire France.

About the Artist

Edouard Manet · 1832–1883

Édouard Manet (1832-1883) was a French painter who played a pivotal role in the transition from Realism to Impressionism, often called the 'Father of Modern Art.' Born into a wealthy Parisian family, Manet defied his father's wishes for a legal career to pursue painting, studying under academic artist Thomas Couture. His revolutionary works 'Le Déjeuner sur l'herbe' and 'Olympia' (both 1863) scand...

    Send Feedback

    We use this only to reply to your feedback.