[The Taj Mahal, Agra]
1858–61
Medium
Albumen silver print
Dimensions
Image: 20.6 x 28.7 cm (8 1/8 x 11 5/16 in.) Mount: 33 x 26 cm (13 x 10 1/4 in.) Print mounted vertically
Classification
Photographs
Department
Photographs
Museum
Metropolitan Museum of Art, New York, NY
Credit
Gilman Collection, Purchase, Cynthia Hazen Polsky Gift, 2005
Accession Number
2005.100.491.1 (57)
Rights
Public Domain
Tags
Art Historical Context
This stunning albumen silver print captures majestic Taj Mahal in Agra, India, one of the world's most iconic monuments, photographed between 1858 and 1861. Built in the 17th century Mughal Emperor Shah Jahan as a mausoleum for his beloved wife Mumtaz Mahal, the Mahal symbolizes eternal love and exemplifies the pinnacle of Indo-Islamic architecture with its symmetrical white marble domes, minarets, and intricate inlay work. This image, mounted vertically on a 33 x 26 cm support, preserves the monument's ethereal beauty from the mid-19th century, a time when British colonial photographers began systematically documenting India's architectural wonders following the 1857 Indian Rebellion. The albumen silver process, popular from the 1850s to 1890s, involved coating paper with egg whites to bind light-sensitive silver salts, yielding sharp details, rich tonal range, and warm hues ideal for architectural subjects. At 20.6 x 28.7 cm, this print exemplifies early photographic precision, rendering the Taj's reflective pools and intricate carvings with remarkable clarity—techniques that democratized access to distant marvels for Western audiences. Housed in the Metropolitan Museum of Art's Gilman Collection, this anonymous photograph bridges art and history, offering a glimpse into colonial-era India while highlighting the Taj Mahal's enduring cultural significance as a UNESCO World Heritage site and global emblem of devotion. Visitors are invited to marvel at how 19th-century innovation immortalized timeless grandeur.
About the Artist
Unknown
The artist designated as "Unknown" in our virtual museum's collection exemplifies a poignant chapter in art history: creators whose identities have faded into obscurity despite the enduring power of their work. With only one known artwork attributed to them in our holdings, this figure represents countless anonymous hands that shaped visual culture across centuries. Museums worldwide, including th...