The Union Cavalry and Artillery Starting in Pursuit of the Rebels up the Yorktown Turnpike, from Harper's Weekly, May 17, 1862
1862
Medium
Graphic Arts-Print
Classification
Graphic Arts-Print
Department
Smithsonian Collection
Museum
Smithsonian American Art Museum
Credit
Smithsonian American Art Museum, The Ray Austrian Collection, Gift of Beatrice L. Austrian, Caryl A. Austrian and James A. Austrian
Accession Number
1996.63.46
Rights
Public Domain
Tags
Art Historical Context
Winslow Homer, a pioneering American realist artist, captured the raw energy of the Civil War in this dynamic wood engraving from *Harper's Weekly*, published May 17, 1862. Titled *The Union Cavalry and Artillery in Pursuit of the Rebels the Yorktown Turnpike it depicts Union soldiers—cavalrymen on horseback and artillery units—charging forward in Virginia during the Peninsula Campaign. Homer, then a young correspondent for the magazine, sketched scenes firsthand, translating them into prints that brought the war's immediacy to Northern homes. This artwork illustrates a pivotal moment after the Siege of Yorktown, when General George B. McClellan's Army of the Potomac pursued retreating Confederates led by Joseph E. Johnston. The equestrian figures and marching troops convey motion and determination, highlighting the grueling realities of 19th-century warfare amid Virginia's muddy roads. As a graphic arts print, it exemplifies mass-media journalism of the era, with intricate wood engraving techniques allowing detailed reproduction for wide distribution. Homer's early Civil War works, like this one from the Smithsonian American Art Museum's collection, foreshadowed his mastery of dramatic realism and human endurance. For visitors, it offers a vivid window into a divided nation's struggle, blending historical drama with artistic precision.
About the Artist
Winslow Homer · 1836–1910
Winslow Homer (1836-1910) was one of America's greatest painters and a preeminent figure in 19th-century American art. Largely self-taught, Homer began his career as a commercial illustrator and Civil War correspondent for Harper's Weekly before becoming renowned for his powerful marine subjects and landscape paintings. His mastery of both oil and watercolor, combined with his uncompromising reali...