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Three Marys at the Tomb

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Three Marys at the Tomb

Jacques Bellange

Date unknown

Medium

etching

Tags

Dimensions

image: 17 3/8 x 11 9/16 in. (44.2 x 29.3 cm), trimmed to image

Collection

Metropolitan Museum of Art, New York, NY

Credit

Harris Brisbane Dick Fund, 1930

Classification

Prints

Department

Drawings and Prints

Rights

Public Domain

About Jacques Bellange

1570–1616 • France

Idiosyncratic artist who may have been born and may have trained in Bassigny. He is known today through his etchings and drawings, as all of his decorative works and most of his paintings are lost. He was influenced by Italian artists as Parmigianino, by the School of Fontainebleau and by northern artists such as Albrecht Durer and Bartholomeus Spranger. His highly refined work, among the latest and most extreme expressions of Mannerism, seems to express a private and nervous religious sensibility. Comment on works: Religious

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Standing Man with a Putto

Standing Man with a Putto

ca.1575–1616

Balthasar, after figure in "The Adoration of the Magi" by Jacques Bellange

Balthasar, after figure in "The Adoration of the Magi" by Jacques Bellange

ca. 1615

Caspar, after Three Magi series by Jacques Bellange

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Melchior, after Three Magi series by Jacques Bellange

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ca. 1615

Three Haloed Female Figures

Three Haloed Female Figures

ca. 1610–50

Melchior, after "Three Magi" series by Jacques Bellange

Melchior, after "Three Magi" series by Jacques Bellange

ca. 1610–50

Caspar, after the "Three Magi" series by Jacques Bellange

Caspar, after the "Three Magi" series by Jacques Bellange

Balthasar, after figure in "The Adoration of the Magi" by Jacques Bellange

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ca. 1610–50

The Suicide of Portia

The Suicide of Portia

ca. 1612–16

Plate from Funeral of Charles III of Lorraine

Plate from Funeral of Charles III of Lorraine

Diana and Orion

Diana and Orion

Christ Carrying the Cross

Christ Carrying the Cross