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Plate E: Election and Coronation of Emperor Maximilian II
1612
A group of young men dancing as the gods look on from above; set design from 'Il Pomo D'Oro'
1668
The royal family sitting under a canopy, watching dancers perform the opening ballet of 'La Costanza d'Ulisse'
ca. 1700
Procession, with men riding horses; three men playing trumpets at front, a knight at center, and a gentleman at the rear
16th century
The Arsenal; two soldiers conversing with two women on the right as a group of soldiers look on from the left; set design from 'Il Fuoco Eterno'
1674
Volcano at center with blacksmiths working at left and armor on the ground around them
16th century
Courtyard of a palace with a man standing at center surrounded by attendants; above, a vision of a woman in a similar scene; set design from 'Il Pomo D'Oro'
1668
Pleasure garden, with three figures in front of a fountain at center, a row of putti to the left, and a group of women to the right; set design from 'Il Pomo D'Oro'
1668
A large gathering of people in the street as a goddess races across the sky in a chariot led by four horses; set design from 'Il Fuoco Eterno'
1674
Procession, with six men riding horses
16th century
A princely wedding performed by a bishop
late 16th century
Throne room with a man in classical armor standing at center addressing a man seated on a throne at left; soldiers lined on either side of the room; set design from 'Il Fuoco Eterno'
1674
More by Mathäus Küsel
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Text to accompany plate illustrating the fireworks display celebrating the birth of Prince Max Emmanuel of Bavaria, Munich, 1662
1662
Theatrical scene with four figures on a staircase in the distance, two of which are engaged in a brawl
ca. 1660–82
The Elysian Fields; set design from 'La Monarchia Latina Trionfante'
1678
A grotto with collapsing rocks, opening to a sky full of the enthroned gods of Olympus, including Jupiter, Apollo, Mars, Venus, and Mercury; set design from 'La Monarchia Latina Trionfante'
1678
The Seat of Saturn; Saturn at center, seated on a throne of rubble, conversing with a king and three men who stand before him; lining the walls on each side are four figures of Saturn devouring children; set design from 'La Monarchia Latina Trionfante'
1678
Prologue; the stage curtain is lifted to reveal a soldier on an elephant surrounded by his army; above Jupiter and his eagle look down on men carrying boulders; set design from 'La Monarchia Latina Trionfante'
1678
An army marching through a field; soldiers on foot at left and right, while others ride elephants and camels down the center; set design from 'La Monarchia Latina Trionfante'
1678
Magnificent Hall of Astrea; men and women gathered in the street to view a procession through a triumphal arch and down the stairs into the city; the procession is led by a female wearing a crown, she is followed by various figures in varying costume; set design from 'La Monarchia Latina Trionfante'
1678
Men and women gathererd in the street to view the entrance of a royal figure, who is carried into the city on a throne; set design from 'La Monarchia Latina Trionfante'
1678
The Arsenal; two soldiers conversing with two women on the right as a group of soldiers look on from the left; set design from 'Il Fuoco Eterno'
1674
The Roman curia with guards in the anteroom; set design from 'Il Fuoco Eterno'
1674
A woman standing on the right side of a road lined with columns; at center a statue of a female with cupid flying nearby; to the left, a woman emerging from the clouds as another sits among flames above; set design from 'Il Fuoco Eterno'
1674