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Rest on the flight into Egypt, Mary holding the infant Christ while St. Joseph hands him a fruit
ca. 1639
![Francesco I d'Este Invites Foreign Scholars to Court, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]](/_next/image?url=https%3A%2F%2Fimages.metmuseum.org%2FCRDImages%2Fdp%2Fweb-large%2FDP830773.jpg&w=3840&q=75)
Francesco I d'Este Invites Foreign Scholars to Court, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]
1659
![View showing the remains of a large enclosure of columns..., from Différentes vues de quelques Restes de trois grands Edifices qui subsistent encore dans le milieu de l'ancienne Ville de Pesto autrement Posidonia qui est située dans la Lucanie (Different views of some of the remains of three great edifces that still exist at teh center of the ancient city of Pesto, or Posidonia [Paestum], which is siutated in Lucania)](/_next/image?url=https%3A%2F%2Fimages.metmuseum.org%2FCRDImages%2Fdp%2Fweb-large%2FDP828237.jpg&w=3840&q=75)
View showing the remains of a large enclosure of columns..., from Différentes vues de quelques Restes de trois grands Edifices qui subsistent encore dans le milieu de l'ancienne Ville de Pesto autrement Posidonia qui est située dans la Lucanie (Different views of some of the remains of three great edifces that still exist at teh center of the ancient city of Pesto, or Posidonia [Paestum], which is siutated in Lucania)
ca. 1748

The Immaculate Conception
ca. 1770

Pluto, seen from behind, entering the Underwold on his chairot, Cereberus and three Furies to right, from 'Giove che fulmina li giganti', after the frescoes on the ceiling of the Sala dei Giganti designed by Giulio Romano for the Palazzo del Te, Mantua
ca. 1680

Saint Louis giving alms to the poor
1735

The angel awakening Joseph to the presence of the Virgin and Child
ca. 1645–49

Alceste, Euadné, Artemise, and Helene, from 'The game of queens' (Le jeu des Reines renommées)
1644

Saint Andrew praying before a crucifix
1640–70

Winter (L'Hiver), from 'The Four Seasons'
ca. 1641

Plate 6: 1. Arch of Titus. 2. Villa Farnese. 3. Columns of the Temple of Jupiter Stator (the Supporter). 4. Arch of Septimus Severus. 5. Temple of Peace. (1. Arco di Tito in Roma. 2. Villa Farnese. 2. Colon.e. del Tem.o di G.ve St.re. 4. Ar.co di Set.o...), from "Antichità Romane de' Tempi della Repubblica, e de' primi Imperatori"
ca. 1748

A shepherd on horseback in the middle of a stream, facing left, dogs, goats and cows follow to left and right, a large tree to left and mountains to right in the background, from 'Four large landscapes' (Quatre grands paysages en hauteur)
ca. 1652–57
More by Giovanni Battista Piranesi
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Tomb of Julius Caesar
1765

View through the Herculaneum Gate, Pompeii
1778

Cornice and column from the Temple of Fortuna Virilis (Tempio della Fortuna Virile), from 'Le Antichità Romane'
1756

Section of column base from the Temple of Fortuna Virilis (Tempio della Fortuna Virile), from the series 'Le Antichità Romane'
1756

Profile of the Temple of Fortuna Virilis (Profilo del Tempio della Fortuna Virile), and section of the temple, from the series 'Le Antichità Romane'
1756

Plan and facade of the Temple of Fortuna Virilis (Tempio della Fortuna Virile), from the series 'Le Antichità Romane'
1756

Elevation and plan of the second-order portico at the Theater of Marcellus (Teatro di Marcello), Rome, from the series 'Le Antichità Romane'
1756

Partial elevation and plan of the first-order portico at the Theater of Marcellus (Dimostrazione di una parte de' portici del prim' ordine del Teatro di Marcello), from 'Le Antichità Romane'
1756

Plan of a tomb on the Appian Way in Vigna Buonamici (Pianta di un sepolcro sull'antica Via Appia nella Vigna Buonamici), from the series 'Le Antichità Romane'
1756

Demonstration panel showing technique for raising travertine and marble blocks for the construction of the tomb of Cecilia Metella, Rome, from the series 'Le Antichità Romane'
1756

Plan and elevation of the Pons Fabricius (also known as the Quattro Capi Bridge), Rome, from the series 'Le Antichità Romane'
1756

View of the stone pavement of the Appian Way (Veduta dell'antica Via Appia), from the series 'Le Antichità Romane'
1756