Trade Card for Nosworthy & Wells, Lithographers
19th century
Medium
Commerical Lithograph
Dimensions
Sheet: 3 1/16 × 4 5/16 in. (7.8 × 11 cm)
Classification
Prints|Ephemera
Department
Drawings and Prints
Museum
Metropolitan Museum of Art, New York, NY
Credit
Gift of Bella C. Landauer, 1926
Accession Number
26.28.302
Rights
Public Domain
Art Historical Context
Step into the vibrant world of 19th British commerce with this charming *Trade Card for Nosworthy & Wells,ographers*. Produced anonymously by the firm itself, this petite commercial lithograph (measuring just 3 1/16 × 4 5/16 inches) served as a promotional tool, showcasing their expertise in lithography—a revolutionary printing technique that allowed for affordable, colorful mass production. Trade cards like this one were ubiquitous in Victorian-era advertising, handed out at shops or mailed to customers, blending artistry with business savvy. Lithography, perfected in the early 1800s, relied on oil-based crayons drawn on limestone slabs, enabling crisp lines and vivid hues through multiple color plates—a boon for the burgeoning consumer culture. Nosworthy & Wells exemplified this craft, turning ephemera into collectible gems that captured everyday life and promoted services. Classified as Prints and Ephemera in the Metropolitan Museum of Art's Drawings and Prints department, this card was generously gifted by collector Bella C. Landauer in 1926. Today, it offers a window into how graphic design democratized art, paving the way for modern advertising. A delightful survivor of disposable culture, it reminds us that even the smallest prints hold big stories.
About the Artist
Anonymous, British, 19th century · 1800–1900
**Anonymous, British, 19th century** is not the name of a single individual but a standard museum attribution used for works whose creators remain unidentified yet are clearly British and date to the 1800s. Major institutions, including the Metropolitan Museum of Art, employ this designation for hundreds of drawings, prints, designs, and decorative studies that lack signatures or firm documentary ...