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Trade Card for Thomas Harper, Copper Plate Printer and Stationer

Trade Card for Thomas Harper, Copper Plate Printer and Stationer by Anonymous, British, 18th century

Medium

Engraving

Dimensions

Sheet: 5 3/8 × 6 3/16 in. (13.6 × 15.7 cm)

Classification

Prints|Ephemera

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Harris Brisbane Dick Fund, 1947

Accession Number

47.91.13

Rights

Public Domain

Art Historical Context

Step into the bustling world of 18th-century commerce with this charming *Trade Card for Thomas Harper, Copper Plate and Stationer*. Created anonymously around that era, this small engraving (5 3/8 × 6 3/16 in.) served as a promotional tool—essentially an early business card—showcasing Harper's skills in copper plate printing and stationery. Trade cards like this were a hallmark of London's thriving print trade, handed out to clients or displayed in shops to attract customers with their elegant designs. Engraving on copper plates allowed for intricate, precise lines and rich tonal effects, making these cards miniature works of art despite their ephemeral purpose. Harper's card likely features decorative motifs typical of the period, blending typography with ornamental borders to advertise his expertise in producing fine prints, letterheads, and invitations. This technique was revolutionary, enabling mass production of high-quality images at a time when literacy and consumer culture were booming. Today, preserved in the Metropolitan Museum of Art's Drawings and Prints department through the Harris Brisbane Dick Fund (1947), it offers a glimpse into everyday entrepreneurship and the artistry behind advertising. Such ephemera reveals how print technology fueled the Enlightenment-era economy, turning simple promotions into collectible treasures.

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