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Two male figures seated at a table, drinking

Two male figures seated at a table, drinking by Félicien Rops

Medium

Graphite

Dimensions

7-3/4 x 5-7/8 in. (19.7 x 14.9 cm)

Classification

Drawings

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Gift of Mrs. Albert Broccoli, 1980

Accession Number

1980.1138.6

Rights

Public Domain

Tags

MenDrinkingTables

Art Historical Context

In the Metropolitan Museum of Art's Drawings and Prints department, Félicien Rops' *Two Male Figures Seated at a, Drinking* offers a glimpse into the artist's masterful graphite technique. This intimate 7-3/4 x 5-7/8 inch (19.7 x 14.9 cm) drawing captures two men in a candid moment of camaraderie, hunched over a table with drinks in hand. The modest scale and loose composition suggest it may be a spontaneous sketch, highlighting everyday social rituals like sharing a libation. Belgian artist Félicien Rops (1833–1898), renowned for his incisive illustrations and works blending Realism with Symbolist undertones, often depicted bohemian life, human desires, and subtle satire. Graphite, his chosen medium here, allowed for precise lines, rich tonal contrasts, and fluid shading that evoke texture—from the men's attire to the table's surface—bringing immediacy to the scene. Though the date is unknown, Rops' drawings from the late 19th century frequently explored themes of leisure and vice, reflecting the era's café culture in Europe. Gifted to the Met in 1980 by Mrs. Albert Broccoli, this piece invites visitors to appreciate Rops' skill in rendering human connection with economy and vitality. Lean in to notice the subtle interplay of light and shadow that animates this quiet tableau of male bonding.

About the Artist

Félicien Rops · 1833–1898

Félicien Rops, born Félicien Victor Joseph Rops on July 7, 1833, in Namur, Belgium, to a prosperous textile manufacturing family, displayed prodigious artistic talent from youth. The only child of Nicholas Rops and Sophie Maubile, he received private tutoring until age ten, followed by education at a Jesuit school in Namur (1843–1848), the Athénée Royal de Namur, and the Academy of Fine Arts there...

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