Artheon MuseumArtheonMuseum

Two Men

Honoré Daumier

1801 to 1825

Two Men by Honoré Daumier

Medium

graphite on heavy wove paper

Dimensions

overall: 20.1 x 15.8 cm (7 15/16 x 6 1/4 in.)

Classification

Drawing

Department

CG-E

Museum

National Gallery of Art, Washington, D.C.

Credit

Rosenwald Collection

Accession Number

1943.3.9319

Rights

Public Domain

Art Historical Context

Honoré Daumier's *Two Men* (ca. 1801–1825) is a compelling graphite drawing on heavy wove paper, just 20.1 x 15.8 cm. Created during the artist's formative years in post-Revolutionary France, this study captures two figures with Daumier's signature economy of line and keen observation. Born in 1808, Daumier honed his skills as a draftsman amid the social upheavals of the and early July Monarchy, laying the groundwork for his later fame as a Realist master and caricaturist. The medium—graphite on sturdy wove paper—highlights Daumier's technical prowess, allowing for subtle tonal modeling and dynamic hatching that conveys volume and personality in mere strokes. Though modest in scale, the work exemplifies his lifelong fascination with ordinary people, rendered with empathy and immediacy. These quick sketches often served as studies for his prolific lithographs satirizing bourgeois society, politics, and urban life. Housed in the National Gallery of Art's Rosenwald Collection (Department CG-E), *Two Men* invites visitors to appreciate Daumier's genius up close. Its historical significance lies in bridging his early experimentation with the bold social commentary that defined 19th-century French art, offering a window into the humanity behind the headlines of his era.

About the Artist

Honoré Daumier · 1810–1879

Honoré-Victorin Daumier (1808-1879) was a prolific French printmaker, caricaturist, painter, and sculptor whose works offered incisive commentary on the social and political life of 19th-century France. Known as the 'Michelangelo of Caricature,' Daumier produced over 4,000 lithographs, 500 paintings, 1,000 drawings, and 100 sculptures during his lifetime. His biting political satire led to his imp...

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