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Water or Wine Jug

Water or Wine Jug by Nicholas Amantea

Medium

watercolor, graphite and colored pencil on paperboard

Dimensions

overall: 54.3 x 45.3 cm (21 3/8 x 17 13/16 in.) Original IAD Object: 15" High (approx)

Classification

Index of American Design

Department

CG-W

Museum

National Gallery of Art, Washington, D.C.

Credit

Index of American Design

Accession Number

1943.8.7464

Rights

Public Domain

Art Historical Context

**Water or Wine Jug** by Nicholas Amantea (c. 1939) is a meticulous rendering of a humble yet elegant vessel, captured in watercolor, graphite, and colored pencil on paperboard. Measuring 54.3 x 45.3 cm overall, this work faithfully documents a jug standing approximately 15 inches high, evoking the everyday craftsmanship of American life. Aman's precise lines and subtle hues bring out the jug's form, texture, and possible earthenware qualities, inviting viewers to appreciate the beauty in utilitarian objects. Created as part of the **Index of American Design** (IAD), a Federal Art Project under the Works Progress Administration (WPA) from 1935 to 1942, this piece reflects a national effort during the Great Depression to celebrate and preserve America's folk art and design heritage. Artists like Amantea produced over 15,000 such renderings, blending artistic skill with documentary accuracy to safeguard cultural artifacts from everyday homes, workshops, and communities. The mixed-media technique—graphite for fine details, colored pencil for depth, and watercolor for vibrant tones—highlights the IAD's innovative approach, making historical objects accessible and alive. Housed in the National Gallery of Art's collection, it reminds us how ordinary items like this jug embody the ingenuity and spirit of American makers. (198 words)

About the Artist

Nicholas Amantea · 1900–1978

Nicholas Amantea (1900–1978) was an American artist born on July 13, 1900, in Pittsburgh, Pennsylvania. His early life and artistic training are not well documented, but by the mid-1930s, he had established himself in New York City, where he contributed significantly to federal art initiatives during the Great Depression. From March 13, 1936, to July 15, 1942, Amantea worked for the Works Progress...

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