Water or Wine Jug
c. 1939
Medium
watercolor, graphite and colored pencil on paperboard
Dimensions
overall: 54.3 x 45.3 cm (21 3/8 x 17 13/16 in.) Original IAD Object: 15" High (approx)
Classification
Index of American Design
Department
CG-W
Museum
National Gallery of Art, Washington, D.C.
Credit
Index of American Design
Accession Number
1943.8.7464
Rights
Public Domain
Art Historical Context
**Water or Wine Jug** by Nicholas Amantea (c. 1939) is a meticulous rendering of a humble yet elegant vessel, captured in watercolor, graphite, and colored pencil on paperboard. Measuring 54.3 x 45.3 cm overall, this work faithfully documents a jug standing approximately 15 inches high, evoking the everyday craftsmanship of American life. Aman's precise lines and subtle hues bring out the jug's form, texture, and possible earthenware qualities, inviting viewers to appreciate the beauty in utilitarian objects. Created as part of the **Index of American Design** (IAD), a Federal Art Project under the Works Progress Administration (WPA) from 1935 to 1942, this piece reflects a national effort during the Great Depression to celebrate and preserve America's folk art and design heritage. Artists like Amantea produced over 15,000 such renderings, blending artistic skill with documentary accuracy to safeguard cultural artifacts from everyday homes, workshops, and communities. The mixed-media technique—graphite for fine details, colored pencil for depth, and watercolor for vibrant tones—highlights the IAD's innovative approach, making historical objects accessible and alive. Housed in the National Gallery of Art's collection, it reminds us how ordinary items like this jug embody the ingenuity and spirit of American makers. (198 words)
About the Artist
Nicholas Amantea · 1900–1978
Nicholas Amantea (1900–1978) was an American artist born on July 13, 1900, in Pittsburgh, Pennsylvania. His early life and artistic training are not well documented, but by the mid-1930s, he had established himself in New York City, where he contributed significantly to federal art initiatives during the Great Depression. From March 13, 1936, to July 15, 1942, Amantea worked for the Works Progress...