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Whirlwinds, Mojave Desert, California (no.3)

Whirlwinds, Mojave Desert, California (no.3) by George Elbert Burr

Medium

drypoint and aquatint in greenish-black on laid paper

Dimensions

plate: 19.9 x 25.1 cm (7 13/16 x 9 7/8 in.) sheet: 25.7 x 32.9 cm (10 1/8 x 12 15/16 in.)

Classification

Print

Department

CG-W

Museum

National Gallery of Art, Washington, D.C.

Credit

Gift of Mrs. John Farr Simmons

Accession Number

1986.60.20

Rights

Public Domain

Art Historical Context

**Whirlwinds, Mojave Desert California (no. 3)** *George Elbert Burr,. 1927* George Elbert Burr, a master etcher of the American West, captures the raw drama of the Mojave Desert in evocative print. Created around 1927, *Whirlwinds, Mojave, California (no. 3)* depicts towering dust devils twisting across arid sands, embodying Burr's lifelong fascination with the Southwest's vast, untamed landscapes. Burr, who settled in California after years traveling the West, produced over 1,000 prints celebrating nature's grandeur during the early 20th-century etching revival, when artists sought to rival paintings through intricate printmaking. The work's power lies in Burr's expert use of drypoint and aquatint in greenish-black ink on laid paper. Drypoint's burr—tiny metal curls raised by the etching needle—creates soft, velvety lines for swirling winds and textured dunes, while aquatint adds subtle tonal gradations, evoking the desert's hazy atmosphere and shifting light. This combination yields a moody, atmospheric depth, making the ephemeral whirlwinds feel palpably alive on the modest plate (19.9 x 25.1 cm). A gift to the National Gallery of Art from Mrs. John Farr Simmons, this print reflects the era's growing appreciation for America's natural wonders amid urbanization. Burr's precise yet poetic vision invites visitors to ponder the desert's timeless forces, bridging art and wilderness in a single, mesmerizing sheet.

About the Artist

George Elbert Burr · 1859–1939

George Elbert Burr was an American printmaker and watercolorist whose career spanned the late nineteenth and early twentieth centuries, earning him a reputation as one of the foremost etchers of the American West. Born in 1859 in Monroe Falls, Ohio, Burr trained as a commercial illustrator before turning his full attention to fine art. He honed his craft through diligent self-study and close obser...

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