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High Renaissance — Page 33

1,353 artworks · 1490-1527

Portrait of Michelangelo in profile facing right set within a recess by Enea Vico|Giulio Bonasone|Michelangelo Buonarroti

Portrait of Michelangelo in profile facing right set within a recess

Enea Vico|Giulio Bonasone|Michelangelo Buonarroti, 1545

Conversion of Saul, from Michelangelo's fresco in the Pauline Chapel at the Vatican by Michelangelo Buonarroti|Nicolas Beatrizet|Antonio Salamanca

Conversion of Saul, from Michelangelo's fresco in the Pauline Chapel at the Vatican

Michelangelo Buonarroti|Nicolas Beatrizet|Antonio Salamanca, ca. 1545–60

The Fall of Phaeton by Michelangelo Buonarroti|Nicolas Beatrizet|Antonio Lafreri

The Fall of Phaeton

Michelangelo Buonarroti|Nicolas Beatrizet|Antonio Lafreri, 1540–66

Judith passing the head of Holofernes to her maidservant, the decapitated Holofernes inside the tent at left by Antonio Lafreri|Michelangelo Buonarroti|Giulio Bonasone

Judith passing the head of Holofernes to her maidservant, the decapitated Holofernes inside the tent at left

Antonio Lafreri|Michelangelo Buonarroti|Giulio Bonasone, 1531–76

A young man caressing an old woman by Leonardo da Vinci|Wenceslaus Hollar|Thomas Howard, 14th Earl of Arundel (British, 1585–1646) and Aletheia Talbot, Countess of Arundel (British, ca. 1590–1654), m. 1606

A young man caressing an old woman

Leonardo da Vinci|Wenceslaus Hollar|Thomas Howard, 14th Earl of Arundel (British, 1585–1646) and Aletheia Talbot, Countess of Arundel (British, ca. 1590–1654), m. 1606, 1646

Five grotesque heads, including an elderly man with an oak leaf wreath by Leonardo da Vinci|Wenceslaus Hollar|Thomas Howard, 14th Earl of Arundel (British, 1585–1646) and Aletheia Talbot, Countess of Arundel (British, ca. 1590–1654), m. 1606

Five grotesque heads, including an elderly man with an oak leaf wreath

Leonardo da Vinci|Wenceslaus Hollar|Thomas Howard, 14th Earl of Arundel (British, 1585–1646) and Aletheia Talbot, Countess of Arundel (British, ca. 1590–1654), m. 1606, 1646

Five grotesque heads, including an elderly man with an oak leaf wreath by Leonardo da Vinci|Wenceslaus Hollar|Thomas Howard, 14th Earl of Arundel (British, 1585–1646) and Aletheia Talbot, Countess of Arundel (British, ca. 1590–1654), m. 1606

Five grotesque heads, including an elderly man with an oak leaf wreath

Leonardo da Vinci|Wenceslaus Hollar|Thomas Howard, 14th Earl of Arundel (British, 1585–1646) and Aletheia Talbot, Countess of Arundel (British, ca. 1590–1654), m. 1606, 1646

David and Goliath by Ugo da Carpi|Raphael (Raffaello Sanzio or Santi)|Marcantonio Raimondi

David and Goliath

Ugo da Carpi|Raphael (Raffaello Sanzio or Santi)|Marcantonio Raimondi, ca. 1520–27

The Massacre of the Innocents by Ugo da Carpi|Raphael (Raffaello Sanzio or Santi)|Marcantonio Raimondi

The Massacre of the Innocents

Ugo da Carpi|Raphael (Raffaello Sanzio or Santi)|Marcantonio Raimondi, ca. 1520–27

David and Goliath by Marcantonio Raimondi|Ugo da Carpi|Raphael (Raffaello Sanzio or Santi)

David and Goliath

Marcantonio Raimondi|Ugo da Carpi|Raphael (Raffaello Sanzio or Santi), ca. 1520–27

David and Goliath by Marcantonio Raimondi|Ugo da Carpi|Raphael (Raffaello Sanzio or Santi)

David and Goliath

Marcantonio Raimondi|Ugo da Carpi|Raphael (Raffaello Sanzio or Santi), ca. 1520–27

Hercules and the Nemean Lion by Ugo da Carpi|Raphael (Raffaello Sanzio or Santi)|Giulio Romano

Hercules and the Nemean Lion

Ugo da Carpi|Raphael (Raffaello Sanzio or Santi)|Giulio Romano, ca. 1517–18

The Weird Sisters (Shakespeare, MacBeth, Act 1, Scene 3) by Henry Fuseli|John Raphael Smith|John Raphael Smith|William Shakespeare

The Weird Sisters (Shakespeare, MacBeth, Act 1, Scene 3)

Henry Fuseli|John Raphael Smith|John Raphael Smith|William Shakespeare, March 10, 1785

Christ on the Mount of Olives, with an angel at upper left by Stephano Tofanelli|Correggio (Antonio Allegri)|Pietro Antonio Leone Bettelini

Christ on the Mount of Olives, with an angel at upper left

Stephano Tofanelli|Correggio (Antonio Allegri)|Pietro Antonio Leone Bettelini, 1783–1812

Ecce Homo, with Pontius Pilate behind him at left, the Virgin fainting at lower left, and a soldier at right by Stephano Tofanelli|Pietro Antonio Leone Bettelini|Correggio (Antonio Allegri)

Ecce Homo, with Pontius Pilate behind him at left, the Virgin fainting at lower left, and a soldier at right

Stephano Tofanelli|Pietro Antonio Leone Bettelini|Correggio (Antonio Allegri), 1783–1812

Presentation of the Virgin in the Temple (Center Panel) by John Baptist Jackson after Titian

Presentation of the Virgin in the Temple (Center Panel)

John Baptist Jackson after Titian, 1742

Presentation of the Virgin in the Temple (Right Panel) by John Baptist Jackson, after Titian

Presentation of the Virgin in the Temple (Right Panel)

John Baptist Jackson, after Titian, 1742

Presentation of the Virgin in the Temple (Left Panel) by John Baptist Jackson, after Titian

Presentation of the Virgin in the Temple (Left Panel)

John Baptist Jackson, after Titian, 1742

The Virgin and Child in the Clouds with Six Saints by John Baptist Jackson, after Titian

The Virgin and Child in the Clouds with Six Saints

John Baptist Jackson, after Titian, 1742

Presentation of the Virgin in the Temple [left plate] by John Baptist Jackson after Titian

Presentation of the Virgin in the Temple [left plate]

John Baptist Jackson after Titian, 1742

Presentation of the Virgin in the Temple [center plate] by John Baptist Jackson after Titian

Presentation of the Virgin in the Temple [center plate]

John Baptist Jackson after Titian, 1742

Presentation of the Virgin in the Temple [right plate] by John Baptist Jackson after Titian

Presentation of the Virgin in the Temple [right plate]

John Baptist Jackson after Titian, 1742

The Virgin in Clouds and Six Saints by John Baptist Jackson after Titian

The Virgin in Clouds and Six Saints

John Baptist Jackson after Titian, 1742

The Death of Saint Peter Martyr by John Baptist Jackson after Titian

The Death of Saint Peter Martyr

John Baptist Jackson after Titian, 1739

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