Renaissance — Page 122

2,991 artworks · 1400-1600

The coronation of the Virgin, God the Father above, St Jerome lower right and St John the Baptist lower left by Master of the Die|Raphael (Raffaello Sanzio or Santi)|Antonio Lafreri

The coronation of the Virgin, God the Father above, St Jerome lower right and St John the Baptist lower left

Master of the Die|Raphael (Raffaello Sanzio or Santi)|Antonio Lafreri, 1530–60

Apollo in his horse-drawn chariot at the left, above him above Jupiter hurls a thunderbolt, Venus at right in her chariot drawn by animals, from "Story of Apollo and Daphne" by Master of the Die|Raphael (Raffaello Sanzio or Santi)|Antonio Salamanca

Apollo in his horse-drawn chariot at the left, above him above Jupiter hurls a thunderbolt, Venus at right in her chariot drawn by animals, from "Story of Apollo and Daphne"

Master of the Die|Raphael (Raffaello Sanzio or Santi)|Antonio Salamanca, 1530–60

Aeneas carrying Anchises on his shoulders while Troy burns in the background by Master of the Die|Raphael (Raffaello Sanzio or Santi)|Philippe Thomassin

Aeneas carrying Anchises on his shoulders while Troy burns in the background

Master of the Die|Raphael (Raffaello Sanzio or Santi)|Philippe Thomassin, 1530–60

A monkey holding a bound putto standing on a garland in front of which are two winged putti, from a series of tapestries made for Leo X by Master of the Die|Antonio Lafreri|Raphael (Raffaello Sanzio or Santi)

A monkey holding a bound putto standing on a garland in front of which are two winged putti, from a series of tapestries made for Leo X

Master of the Die|Antonio Lafreri|Raphael (Raffaello Sanzio or Santi), 1530–60

Aeneas carrying Anchises on his shoulders while Troy burns in the background by Philippe Thomassin|Master of the Die|Raphael (Raffaello Sanzio or Santi)

Aeneas carrying Anchises on his shoulders while Troy burns in the background

Philippe Thomassin|Master of the Die|Raphael (Raffaello Sanzio or Santi), 1530–60

Apollo seated at the right with a lyre, pointing to a kneeling man who is about to flay Marsyas tied naked to a tree at left by Philippe Thomassin|Master of the Die|Raphael (Raffaello Sanzio or Santi)

Apollo seated at the right with a lyre, pointing to a kneeling man who is about to flay Marsyas tied naked to a tree at left

Philippe Thomassin|Master of the Die|Raphael (Raffaello Sanzio or Santi), 1530–60

Plate 30: Cupid and Psyche plead their cases before the Gods, from the 'Fable of Cupd and Psyche' by Raphael (Raffaello Sanzio or Santi)|Master of the Die|Antonio Salamanca

Plate 30: Cupid and Psyche plead their cases before the Gods, from the 'Fable of Cupd and Psyche'

Raphael (Raffaello Sanzio or Santi)|Master of the Die|Antonio Salamanca, 1530–60

Assembly of the Gods after the ceiling composition in the Loggia di Psiche, Villa Farnesina, Rome by Giovanni Jacopo Caraglio|Giovanni Francesco Penni|Raphael (Raffaello Sanzio or Santi)

Assembly of the Gods after the ceiling composition in the Loggia di Psiche, Villa Farnesina, Rome

Giovanni Jacopo Caraglio|Giovanni Francesco Penni|Raphael (Raffaello Sanzio or Santi), 1527

Speculum Romanae Magnificentiae: Bacchus Surrounded by Putti with Priapus holding back the curtain by Raphael (Raffaello Sanzio or Santi)|Antonio Salamanca|Master of the Die

Speculum Romanae Magnificentiae: Bacchus Surrounded by Putti with Priapus holding back the curtain

Raphael (Raffaello Sanzio or Santi)|Antonio Salamanca|Master of the Die, 16th century

Speculum Romanae Magnificentiae: The Triumph of Scipio by Master of the Die|Raphael (Raffaello Sanzio or Santi)|Antonio Lafreri

Speculum Romanae Magnificentiae: The Triumph of Scipio

Master of the Die|Raphael (Raffaello Sanzio or Santi)|Antonio Lafreri, 16th century

Speculum Romanae Magnificentiae: The Victory of Scipio by Master of the Die|Raphael (Raffaello Sanzio or Santi)|Antonio Lafreri

Speculum Romanae Magnificentiae: The Victory of Scipio

Master of the Die|Raphael (Raffaello Sanzio or Santi)|Antonio Lafreri, 16th century

Virgin of the Long Thigh; the Virgin reclining on the ground her left leg outstretched supporting the infant Christ who reaches across to the infant John the Baptist, Joseph seated at left, buildings in the background by Raphael (Raffaello Sanzio or Santi)|Marco Dente|Giulio Romano|Antonio Salamanca

Virgin of the Long Thigh; the Virgin reclining on the ground her left leg outstretched supporting the infant Christ who reaches across to the infant John the Baptist, Joseph seated at left, buildings in the background

Raphael (Raffaello Sanzio or Santi)|Marco Dente|Giulio Romano|Antonio Salamanca, ca. 1518–27

Juno, Ceres, and Psyche in the clouds conversing, Juno seated with a peacock at her feet, Ceres wearing a garland of wheat and Psyche partially naked and holding a cloth by Marco Dente|Antonio Salamanca|Giulio Romano|Raphael (Raffaello Sanzio or Santi)

Juno, Ceres, and Psyche in the clouds conversing, Juno seated with a peacock at her feet, Ceres wearing a garland of wheat and Psyche partially naked and holding a cloth

Marco Dente|Antonio Salamanca|Giulio Romano|Raphael (Raffaello Sanzio or Santi), ca. 1515–27

Saint Paul looking to the right and holding a sword and a book by Marco Dente|Antonio Salamanca|Marcantonio Raimondi|Raphael (Raffaello Sanzio or Santi)

Saint Paul looking to the right and holding a sword and a book

Marco Dente|Antonio Salamanca|Marcantonio Raimondi|Raphael (Raffaello Sanzio or Santi), ca. 1515–27

Portrait of Isabella d'Este by Peter Paul Rubens|Lucas Vorsterman I|Peter Paul Rubens|Titian (Tiziano Vecellio)|Isabella d'Este, Marchesa of Mantua

Portrait of Isabella d'Este

Peter Paul Rubens|Lucas Vorsterman I|Peter Paul Rubens|Titian (Tiziano Vecellio)|Isabella d'Este, Marchesa of Mantua, 1620–30

Portrait of Emperor Charles V by Lucas Vorsterman I|Peter Paul Rubens|Charles V, Holy Roman Emperor|Titian (Tiziano Vecellio)|Peter Paul Rubens

Portrait of Emperor Charles V

Lucas Vorsterman I|Peter Paul Rubens|Charles V, Holy Roman Emperor|Titian (Tiziano Vecellio)|Peter Paul Rubens, ca. 1620–30

Saint John the Baptist in the Desert by Raphael (Raffaello Sanzio or Santi)|Charles Clément Bervic|Jean-Baptiste Joseph Wicar

Saint John the Baptist in the Desert

Raphael (Raffaello Sanzio or Santi)|Charles Clément Bervic|Jean-Baptiste Joseph Wicar, 1791

Christ speaking with Saint Peter, who kneels before him in adoration and with his hands joined in prayer, while the Apostles draw up their nets behind him, after Raphael's Stanza dell'incendio del Borgo, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries by Pietro Santi Bartoli|Raphael (Raffaello Sanzio or Santi)|Giovanni Giacomo De Rossi

Christ speaking with Saint Peter, who kneels before him in adoration and with his hands joined in prayer, while the Apostles draw up their nets behind him, after Raphael's Stanza dell'incendio del Borgo, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries

Pietro Santi Bartoli|Raphael (Raffaello Sanzio or Santi)|Giovanni Giacomo De Rossi, 1650–70

Plate 1: God Blessing on the Seventh Day, from Genesis Chapter 2, after a lost fresco in the basamento of Bay 1 of the Vatican Loggia by Pietro Santi Bartoli|Giovanni Giacomo De Rossi|Raphael (Raffaello Sanzio or Santi)

Plate 1: God Blessing on the Seventh Day, from Genesis Chapter 2, after a lost fresco in the basamento of Bay 1 of the Vatican Loggia

Pietro Santi Bartoli|Giovanni Giacomo De Rossi|Raphael (Raffaello Sanzio or Santi), 1650–77

Saint Paul standing before the Proconsul, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries by Pietro Santi Bartoli|Raphael (Raffaello Sanzio or Santi)|Giovanni Giacomo De Rossi

Saint Paul standing before the Proconsul, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries

Pietro Santi Bartoli|Raphael (Raffaello Sanzio or Santi)|Giovanni Giacomo De Rossi, 1650–70

Plate 8: Israelites Collecting Manna, from Exodus 15 and 16, after a lost fresco in the basamento of Bay 8 of the Vatican Loggia by Pietro Santi Bartoli|Giovanni Giacomo De Rossi|Raphael (Raffaello Sanzio or Santi)

Plate 8: Israelites Collecting Manna, from Exodus 15 and 16, after a lost fresco in the basamento of Bay 8 of the Vatican Loggia

Pietro Santi Bartoli|Giovanni Giacomo De Rossi|Raphael (Raffaello Sanzio or Santi), 1650–77

Simon Magus attempting to fly as Saints Peter and Paul, Emperor Nero, and two soldiers look on, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries by Pietro Santi Bartoli|Raphael (Raffaello Sanzio or Santi)|Giovanni Giacomo De Rossi

Simon Magus attempting to fly as Saints Peter and Paul, Emperor Nero, and two soldiers look on, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries

Pietro Santi Bartoli|Raphael (Raffaello Sanzio or Santi)|Giovanni Giacomo De Rossi, 1650–70

Two Biblical Scenes: Festus judging Saint Paul at left and Saint Paul Baptizing the Christians of Corinth at right, from a series of 15 plates depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries by Pietro Santi Bartoli|Raphael (Raffaello Sanzio or Santi)|Giovanni Giacomo De Rossi

Two Biblical Scenes: Festus judging Saint Paul at left and Saint Paul Baptizing the Christians of Corinth at right, from a series of 15 plates depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries

Pietro Santi Bartoli|Raphael (Raffaello Sanzio or Santi)|Giovanni Giacomo De Rossi, 1650–70

Plate 4: The Sacrifice of Abraham, from Genesis Chapter 22, after a lost fresco in the basamento of Bay 4 of the Vatican Loggia by Pietro Santi Bartoli|Giovanni Giacomo De Rossi|Raphael (Raffaello Sanzio or Santi)

Plate 4: The Sacrifice of Abraham, from Genesis Chapter 22, after a lost fresco in the basamento of Bay 4 of the Vatican Loggia

Pietro Santi Bartoli|Giovanni Giacomo De Rossi|Raphael (Raffaello Sanzio or Santi), 1650–77

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