Prints and Drawings — Page 107
24,866 artworks · Art Institute of Chicago
The New Fashion. Which is the man, which is the woman?... make your guess if you can and choose if you dare, plate 270 from Actualités
Honoré-Victorin Daumier, 1856
Holiday in the Country. “- Life in the country really isn't all that entertaining, as they all say. - And to think that spring has only just begun,” plate 14 from Ces Bons Parisiens
Honoré-Victorin Daumier, 1858
Parisians looking forward to some fun. Queuing up for two hours in front of any theater in town, plate 1 from Les Bons Parisiens
Honoré-Victorin Daumier, 1855
The New Blockhouses. “- No more rent to pay, Monsieur Vautour... and we are no longer afraid of the janitor..... in our chalets we are all Swiss,” plate 332 from Actualités
Honoré-Victorin Daumier, 1856
One of the Disadvantages of Living in the Basement. “Look, here are some more that grew last night...,” plate 15 from Croquis Parisiens
Honoré-Victorin Daumier, 1856
“- Just 15 cents for a full bath.... what a deal!,” plate 12 from Croquis Parisiens
Honoré-Victorin Daumier, 1856
“- I'll never understand, how these exercises are supposed to ameliorate the condition of a horse..... the only thing that really counts is that the horseman feels good,” plate 1 from Croquis Équestres
Honoré-Victorin Daumier, 1856
“- That's quite alright... isn't asphalt a marvellous invention?,” plate 1 from Paris L'hiver
Honoré-Victorin Daumier, 1856
The danger of wearing hoopskirts during a sudden spring storm, plate 26 from La Crinolomanie
Honoré-Victorin Daumier, 1857
Under the shade in the countryside, plate 11 from Croquis D'été
Honoré-Victorin Daumier, 1856
A Scientist Trying to Befriend His Son with a Great Kangaroo from Central America, plate 3 from La Société D'acclimatation
Honoré-Victorin Daumier, 1858
“- Hey, Baptiste, what are these two shouting for the last hour… I am sure they are fighting! - Oh no, they make such funny movements, that's hilarious… I've got it: the are rehearsing a tragedy which they will perform at the party of Madame Follemèche… Lucky the bourgeois who can afford with his income to enjoy such entertainments… the man is almost as funny as the clown of the Folies-Nouvelles!,” plate 11 from Les Comédiens De Société
Honoré-Victorin Daumier, 1858
“- Driver, driver, you cannot reject me, you have to save my life... bring me back to the races alive! - But come on, Spaniard… be reasonable… you don't have to fear the rain, since you are wearing a coat!…,” plate 2 from Le Carnaval De 1858
Honoré-Victorin Daumier, 1858
Mr. Prudhomme: “- Obnoxious waves.... don't you know whom you are carrying in this moment?... oh audacious... know I shall, like Xerxes, whip you terribly. Mme Prudhomme: (shivering of fear) “- Pray, my dear friend, do not offend the sea any longer... you might wake its fury and it might devour us completely!,” plate 1 from Impressions Nautiques
Honoré-Victorin Daumier, 1859
“- Oh, my friend... I am afraid of these people there. - And rightly so... they are quite vicious, they beat their women and make them have black children!,” plate 101 from Actualités
Honoré-Victorin Daumier, 1859
View of the grand hall. Map, height and view from front of the conductor. Grand alliance between telegraph and music, plate 1 from Souvenir Du Grand Festival Des Orphéonistes
Honoré-Victorin Daumier, 1859
“- Mr. Colimard, if you don't stop immediately ogling the dancers in such an unseemly manner, I will take you home before the end of the performance!,” plate 4 from Croquis Pris Au Théatre par Daumier
Honoré-Victorin Daumier, 1864
A Misapprehension at the Odeon, on a Day of Drama. “- Come on, come on let's go! - I am telling you it's not finished. The curtain has gone up again and there is still Roman on the stage,” plate 4 from Croquis Pris Au Théatre par Daumier
Honoré-Victorin Daumier, 1864
“- Ah, Théophile, what ghastly things I am reading about you. According to the book by Mr. Desbarolles, I can tell that you have in your palm the lines of a libertinage!… - Oh, well…,” plate 1 from Ces Bons Parisiens
Honoré-Victorin Daumier, 1860
El Cid also takes to the field to fight against the Moors, plate 116 from Actualités
Honoré-Victorin Daumier, 1859
The Terrible Director. “- Indeed! You are telling me that you missed today's rehearsal because you had to set leeches onto your mother? - Yes sir. - But, when you first came here three months ago, you told me that you were an orphan. This is the first time in my long career at the theater that I have met a person who sets leeches on the body of a dead person,” plate 5 from Les Moments Difficiles De La Vie
Honoré-Victorin Daumier, 1864
D. Christopher Jacob Trew, from Plantae Selectae
Johann Jacob Haid, n.d.
Landscape with Old Gateway
Louis Gabriel Moreau, 1779–97
The English Farrier, plate 10 from Various Subjects Drawn from Life on Stone
Jean Louis André Théodore Géricault, 1821
Landscape with Classical Statue
Louis Gabriel Moreau, 1779/97
Manly courage of the celebrated Pajuelera in the ring at Saragossa, plate 22 from The Art of Bullfighting
Francisco José de Goya y Lucientes, 1814/16
The Crucifixion
Jean Duvet, 1545/55
Flying Cupid Kissing a Dove
Gilles Antoine Demarteau, the Younger, n.d.
Coat of Arms with a Skull
Jan Wierix, n.d.
Peter I of Russia
Jacobus Houbraken, 1752
Bearded Male Head with Steel Helmet
Christian Frederick Köhlitz, n.d.
Jupiter and Mercury with Philemon and Baucis
Jacob Männl, n.d.
François Rouxel de Medavy, Archbishop of Rouen
Antoine Masson, 1677
Foliage Ornament from Ancient Roman Church
Agostino dei Musi, c. 1530–35
Time Clipping the Wings of Love
James McArdell, c. 1765
Astronomy
Eloy Bonnejonne, n.d.
Aeneas, Venus, and Achates
Conte Pietro Antonio Rotari, n.d.
Saint Mary Magdalene
Conte Pietro Antonio Rotari, 1728/31
Grazing Horse, plate three from Series of Horses
Dirck Stoop, 1651
Two Swiss Peasants Bargaining
Marquand Fidel Dominikus Wocher, 1785
Rue des Toiles, Bourges
Charles Meryon, 1853
Bather
Odilon Redon, 1904
Farm with Dutch Poplars
Louis Auguste Lepère, 1914
A Tight Corner
Félix Edouard Vallotton, 1893
The Famous Gargantua
Jean-Charles Pellerin, late 18th or early 19th century
The Forest Singer
Théophile-Alexandre Pierre Steinlen, 1897
The Corpus Christi Procession, Nantes
Louis Auguste Lepère, 1901
Man in Ballet Costume Wearing a Turban
Imitator of Amedeo Modigliani, n.d.