Asian Art — Page 132

30,955 artworks · The Metropolitan Museum of Art

波に壺形青銅製花瓶|Vase in the Shape of a Jar amid Waves

若松南天蒔絵色紙箱|Box for Square Calligraphy Paper (shikishi-bako) with an Auspicious Landscape of Young Pines and Nandina Shrubs

桃花蒔絵桃形香合|Incense Box (Kōgō) in the Shape of a Peach

Case (Inrō) with Design of a Perched Hawk

鼠縮緬地梅根芹春草模様振袖|Woman's Robe

地獄大夫蒔絵硯箱|Writing Box (Suzuribako) with Hell Courtesan’s Robe

名物裂模様丸帯|Obi with Floral Roundels and Dragons

旭日図|Rising Sun

Shibata Zeshin, second half of the 19th century

Maharaja Sardar Singh of Bikaner

Chotu, ca. 1860–70

竹形青銅製花入|Vase in the Shape of a Piece of Bamboo

Illustrations of Honorable Anecdotes of Japan and China (Ehon wakan no homare) 絵本和漢誉

Katsushika Hokusai, 1850

蓮葉亀木彫根付|Lotus Leaf and Small Turtle

「夏山深翠」(Kazan shinsui) |“The Deep Green of Summer Mountains”

Hine Taizan 日根對山, 1850s

Small Birds on a Willow Branch and Hibiscus Blossoms

Tsubaki Chinzan, dated Fall 1850

Page from a Dispersed Book of Dreams

Man's Audience Robe (Chaofu)

Box with Design of “Evening Face” (Yūgao) Flowers

Ogawa Haritsu (Ritsuō), second half of 19th century

日本と米国の国旗を纏った日本女性|Sashiko Jacket

果蔬蒔絵菓子箱|Two-Tiered Box with Design of Autumn Fruits

Ikeda Taishin, second half of the 19th century

The Four Worthies (Plum, Bamboo, Orchid, Chrysanthemum) (Shikunshi) 竹洞四君子

Nakabayashi Chikutō 中林竹洞, 1850; 1853

Box with Design of Bellflower and Bush Clover

Ogata Kōrin, second half of the 19th century

源氏物語草紙蒔絵香合|Incense Box (Kōgō) in the Shape of a Volume of The Tale of Genji

Tobacco Pouch

Dress

明治時代菊蒔絵螺鈿香合|Incense Box with Chrysanthemums

「馬子大臣」　四代三枡大五郎・「馬屋大臣」　五代目市川海老蔵・「聖徳太子」　実川延三郎|The Actors Mimasu Daigorō IV as Umako Daijin (right), Ichikawa Ebizō V as Umaya Daijin (center), and Jitsukawa Ensaburō as Prince Shōtoku (left)

Gosōtei Hirosada 五粽亭広貞, 1849

「日本駄右衛門」　五代目市川海老蔵・「徳嶋五平」　二代目片岡我童|The Actors Ichikawa Ebizō V as the Outlaw Nippon Daemon (right) and Kataoka Gadō as Tokushima Gohei

Gosōtei Hirosada 五粽亭広貞, 1849

Akasaka Kiri-Ratake Uchu Yu Kei

Utagawa Hiroshige II, ca. 1859

写真楽屋鑑 2代目澤村訥升|Sawamura Tosshō II (1838–86), from the series Mirror of Photographs Backstage (Shashin gakuya kagami - Sawamura Tosshō nisei)

Toyohara Kunichika, ca. 1859–61

絵本手引草|Picture Book for the Practice of Drawing (Ehon tebikigusa 絵本手引草)

Utagawa Hiroshige 歌川広重, 1849 (Kaei 2

東海道名所図絵|Pictures of Famous Places along the Tōkaidō Road (Tōkaidō meisho zue 東海道名所図絵)

Utagawa Hiroshige 歌川広重, 1849, fifth month (Kaei 2)

東海道五十三次　日本橋|Nihon bashi

Utagawa Hiroshige, ca. 1848–49

吾妻の森|View of Azuma Wood

Utagawa Hiroshige, ca. 1858

東海道五十三次　関|Seki

Utagawa Hiroshige, ca. 1848–49

Illustrations Showing the Wearing of Arms and Armor (Katchū chakuyōzu) 甲冑著用図

Yamaguchi Bisu, 1848

清戴熙山水圖冊|Landscapes

Dai Xi, 1848

Tale of a Strange Marriage (Konkai Zoshi)

Ukita Ikkei, ca. 1858

Illustrations of What We Have Seen and Heard at Yokohama, a Newly Opened Port (Yokohama kaikō kenbun(mon)shi 横浜開港見聞誌)

Hashimoto Gyokuran, ca. 1858

Shichirigahama and Enoshima

Utagawa Hiroshige, 1848–54

名所江戸百景　京橋竹がし|Full Moon Over Canal, with Bridge and Huge Stacks of Bamboo along the Bank

Utagawa Hiroshige, ca. 1857

名所江戸百景　御厩河岸|Ommayagashi, Sumida River

Utagawa Hiroshige, ca. 1857

歌川広重画　東海道　十四　五十三次　原|Hara, Number 14, from the series Fifty-Three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi), also known as the Clerical Script Tōkaidō (Reisho Tōkaidō)

Utagawa Hiroshige, 1847–52