Dogs in Art — Page 29

Pleasures of Occupation

Cornelis Bloemaert

Frontispiece with Hunters, Dogs and Horses, from 'Hunting Scenes VI'

Nicolaus van Aelst|Antonio Tempesta, 1609

Plate 96: Venus and Adonis Embracing (Perditè a Venere adamatur Adonis), from Ovid's 'Metamorphoses'

Antonio Tempesta, 1606

January, from "Twelve Months"

Jan van de Velde II|Johannes Janssonius, 1608–18

The Fortune Teller and the Lady

Andries Stock|Jacques de Gheyn II, ca. 1608

Apollo and Diana

Dish with Diana and the stag

Bernard Palissy, 17th century or later

Male Figure with Dog and Pitcher

Anonymous, Italian, 17th century, 17th century

Three Men and a Dog on a Hill

Ercole Bazicaluva|Jacques Callot, 1600–1638

Tobias and the Angel

Anonymous, Italian, Roman-Bolognese, 17th century, 17th century

Tobias and the Angel

Anonymous, Italian, Roman-Bolognese, 17th century, 17th century

Saint Benedict Receiving a Warrior (recto); Sketch of Crowded Narrative Scene (verso)

Anonymous, Italian, Roman-Bolognese, 17th century, 17th century

Adonis (or Meleager?) seated on a boar

Two Figures and a Dog

Anonymous, Dutch, 17th century|Allart van Everdingen, 17th century (?)

Design for an Architectural Structure with a Hunting Theme , Plate 74 from Dietterlin's Architettura

Wendel Dietterlin, the Elder, 1598

Esther and Ahasuerus

Valances (set of three)

Panel

Sword Guard (Tsuba)

Sword guard (<i>Tsuba</i>) Depicting a Tartar (韃靼人図鐔)

Les Singuliers et Nouveaux Portraicts... page 50 (recto)

Jean Le Clerc|Henri III, King of France and Poland|Louise de Lorraine-Vaudemont|Chambolle-Duru|Federico de Vinciolo, 1588

The Last Supper

Hendrick Goltzius|Pieter Coecke van Aelst, 1585

Legend of Ganymede

Guglielmo della Porta, late 16th–early 17th century

The King Cancelling his Servant's Debt, from the Parable of the Unmerciful Servant, bound in Thesaurus Sacrarum historiarum Veteris et Novi Testamenti

Gerard de Jode|Anonymous, Netherlandish, 16th century|Gerard van Groeningen, 1585

Tile

Tile

Boar Spear

Autumn (Autumnus), represented as a seated male figure bearing grapes in his right hand and a lidded vessel in his left hand, with a billowing drape and grape wreath, a spandrel-shaped composition from the series 'The Four Seasons'

Cherubino Alberti (Zaccaria Mattia)|Taddeo Zuccaro, ca. 1570–1615

Studies for The Allegories of Love

Paolo Veronese (Paolo Caliari), 1570–75

Boy with a Greyhound

Paolo Veronese (Paolo Caliari), possibly 1570s

Portrait of a Woman

Bernardino Campi, late 1560s

Portrait of a Woman

Francesco Montemezzano

Jonadab Counselling Amnon, plate 1 from "The Story of Tamar and Amnon"

Philips Galle|Maarten van Heemskerck, 1559

Portrait of a Woman

Rolán de Moys

Design for a Wall Fountain

Anonymous, Italian, Lombard, 16th century, 1550–1620

Monstrance

Chinese Children at Play

Isei

Opera Nova Universali intitulata Corona di racammi, page 38 (verso)

Giovanni Andrea Vavassore, [1530]

Opera Nova Universali intitulata Corona di racammi, page 13 (recto)

Giovanni Andrea Vavassore, [1530]

Roundel with the Hanging of Haman

Jan Swart van Groningen, ca. 1530–40

Diana with Attributes of the Hunt

Antoine Caron, 16th century

Speculum Romanae Magnificentiae: Diana (Diana Triuia in aedibus)

Anonymous|Philippe Thomassin|Antonio Lafreri, 16th century

Ring flask (fiasca d'anello)

Design for Door Knocker

Etienne Delaune, 16th century

Man Seated Beneath a Statue of Bacchus, Receiving an Audience

Battista Franco, ca. 1530–61

Plate 1: Apuleius changed into a donkey listening to the story told by the old woman spinning

Master of the Die|Antonio Salamanca|Michiel Coxie (I), 1520–70

Dish for a ewer (bacile da versatore)

Christ Before Herod