Horses in Art — Page 82

Papal conclave following the death of Pope Alessandro VII, with an iconographic map of Vatican City and scenes of the funeral, procession, and election of the new pope

Giovanni Giacomo De Rossi, 1667

清康熙 顧玨 竹雕筆筒|Brush Holder

Gu Jue

「提婆達多品」 「安楽行品」 『(法華経)』|Lotus Sutra, Chapters 12 and 14

Crucifixion

Thomas de Keyser, 1665

Castrorum Prœfectus Americanus, from 'Courses de Testes et de Bagues Faittes par Roy et par les Princes et Signeurs de sa Cour, en l'annee 1662' (Grand Carrousel)

Charles Perrault|Israel Silvestre|François Chauveau, 1662–70

Coronation Procession of Charles II Through (from John Ogilby's "The Entertainment of...Charles II," London, 1662)

Wenceslaus Hollar|Charles II, King of England, Ireland, Scotland and Wales, 1662

At the Head of a Swiss Army, Francesco I d'Este, with Uncrushed Spirit, Confronts the Enemy under Bozzolo, who has Many Advantages, and Demands their Retreat, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]

Bartolomeo Fenice (Fénis)|Domenico Gamberti, 1659

Francesco I d'Este Sentences a Noble French Official to Death as an Example to Prevent Future Scandalous Excesses within the Church, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]

Bartolomeo Fenice (Fénis)|Domenico Gamberti, 1659

Francesco I d'Este, Suffering the Pain of his Injuries, Continues to Take Charge for the Successful Completion of the Military Campaign, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]

Bartolomeo Fenice (Fénis)|Domenico Gamberti, 1659

Francesco I d'Este Remains Dedicated to the Cause of the War, Having been Involved for Many Years, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]

Bartolomeo Fenice (Fénis)|Domenico Gamberti, 1659

Francesco I d'Este Protects the French in Casalmaggiore from the Seige of the Spanish, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]

Bartolomeo Fenice (Fénis)|Domenico Gamberti, 1659

Thankful for Having Survived, Francesco I d'Este Finds Refuge in the Shade of a Tree, as Anone is Overtaken with Heavy Musket Fire and the Example of His Own Survival, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]

Bartolomeo Fenice (Fénis)|Domenico Gamberti, 1659

Francesco I d'Este Freely Crosses the Po and Takes Up his Sword Against Troops in the Vinyard of the Opposite Bank where the Spanish had Settled to Impede his Crossing, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]

Domenico Gamberti|Jean Sauvé|Bartolomeo Fenice (Fénis), 1659

Plate 30 from "Course des Tetes et Bagues"

François Chauveau, ca. 1662

Christ Crucified between the Two Thieves: The Three Crosses

Rembrandt (Rembrandt van Rijn), ca. 1660

Landscape with Two Men on Horseback

Pieter de Molijn, 1654

A Man and a Woman on Horseback

Philips Wouwerman, ca. 1653–54

A woman on horseback seen from behind descending a hill to the right, a large tree to the left, landscape of Florence to left in the background, from 'Four large landscapes' (Quatre grands paysages en hauteur)

Stefano della Bella, ca. 1652–57

Battlefield with horseman looking over his left shoulder toward stripped corpse on the ground, a clothed figure and horse lying to the right, horsemen carrying flags beyond

Karel Dujardin, 1652

Twenty-four riders dueling with swords in four groups, with two groups in lines at the top and bottom of the page, from 'La gara delle Stagioni'

Stefano della Bella, 1652

A horseman and a lady riding side saddle, galloping towards the right, another horseman follows, in an elaborate frame decorated with a mask of a young woman, cherubs, and fruit

Stefano della Bella, ca. 1652–57

A wild boar running towards the left, a dog biting its ear behind to left, other dogs and horsemen in the background, from 'Hunts of various animals' (Chasses à différents animaux)

Stefano della Bella, ca. 1651–57

The Horseman

Cornelis Galle II|Jan Wildens|Wenceslaus Hollar, 1650

A cavalier and a lady on horseback, within an ornate border decorated with fruit and cornucopias

Stefano della Bella, ca. 1655

Tile

The Goddess Durga Slaying an Enemy; Page from a Dispersed Markandeya Purana (Stories of the Sage Markandeya)

"Bahram Gur Slays the Dragon", Folio from a Shahnama (Book of Kings)

Abu'l Qasim Firdausi, second half 17th century

Maharaja Raj Singh in Procession with Members of His Court

Nihal Chand, ca. 1700

The Ferry

Wenceslaus Hollar|Jan Brueghel the Elder, 1649

Stag at bay, from 'Animal hunts' (Chasses à différents animaux)

Stefano della Bella, ca. 1654

A Polish man in a long robe standing at right in profile, facing left, other Polish men to left, groups of horsemen to left in background and a castle to right in background, from 'Various figures and lands' (Diverse figure e paesi)

Stefano della Bella|Israël Henriet, 1649

Flight into Egypt: Altered from Tobias and the Angel by Hercules Segers

Rembrandt (Rembrandt van Rijn)|Hercules Segers, ca. 1653

Entry of the Count of Thurn and Taxis into Hemissen

Lamoral Claudius Franz, Count of Thurn and Taxis|Wenceslaus Hollar|Alexander Roelants, ca. 1651

Polish hussar in profile facing right with wings attached to his back, a circular composition, from "Figures on Horseback" (Cavaliers nègres, polonais et hongrois)

Stefano della Bella, ca. 1651

Moorish horseman in profile facing right, in the background a pyramid at left, many figures and an elephant, from 'Figures on Horseback' (Cavaliers nègres, polonais et hongrois)

Stefano della Bella, ca. 1651

Earth, four figures in foreground to left, hills to left in the background, many trees to right in the background, a horseman in center in the background, from 'The four elements' (Les quatre Eléments)

Stefano della Bella, ca. 1645–50

Louis XIV at the Siege of Douai, Seen from the South-East (July 1–6, 1667)

Adam Frans van der Meulen, 17th century

Icones et segmenta illvstriuvm e marmore tabvlarvm qvae Romae adhvc extant a Francisco Perrier, delineata incisa et ad antiqvam formam lapideis exemplaribvs passim collapsis restitvta

François Perrier, 1645

Noah and the animals entering the ark

Giovanni Benedetto Castiglione (Il Grechetto), ca. 1650–55

Plate 24: herdsman atop a horse, seen from behind, leads his cattle down a hill, a tower on a hill to left in the background, from 'Diversi capricci'

Stefano della Bella|Nicolas Langlois, ca. 1644–47

Mexico, from the playing cards "Jeu de la Géographie"

Stefano della Bella|Jean Desmarets de Saint-Sorlin|Henri Le Gras|Louis XIV, King of France|Cardinal Jules Mazarin, 1644

Pérou, from the playing cards "Jeu de la Géographie"

Stefano della Bella|Jean Desmarets de Saint-Sorlin|Henri Le Gras|Louis XIV, King of France|Cardinal Jules Mazarin, 1644

Blanche de Castille, Martesie, Orithie, and Baudour, from 'The game of queens' (Le jeu des Reines renommées)

Stefano della Bella, 1644

Plate 3: two girls walking towards the left, seen from behind, a woman on a horse to left in background, from 'Diversi capricci'

Stefano della Bella, ca. 1644–47

Chimney with a Painting of Louis XIV over the Mantle, from 'Grandes Cheminée'

Jean Le Pautre|Jean I Leblond, ca. 1644–66

Plate 12: a shepherd sleeping on the ground to right, three horses to left, other horses and various figures to right, the Baths of Diocletian in the background, a round composition, from 'Roman landscapes and ruins' (Paysages et ruines de Rome)

Pierre Mariette le fils|Stefano della Bella, ca. 1643–48

Plate 19: a rider making his horse drink from a basin of a fountain at left, another horseman seen from behind riding towards the left in the background, from 'Various figures and doodles' (Diverses figures et griffonnemens)

Stefano della Bella|Israël Henriet, ca. 1646

Plate 11: the pyramid of Caius Cestius to right in the background, a horse grazing in center, a foal suckling a mare to left, a seated shepherd and another standing and pointing towards the left at right, a round composition, from 'Roman landscapes and ruins' (Paysages et ruines de Rome)

Stefano della Bella|François Langlois, ca. 1643–48