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A Couple Locked in an Embrace

Keisai Eisen

ca. 1825

A Couple Locked in an Embrace by Keisai Eisen

Medium

Woodblock print; ink and color on paper

Dimensions

Horizontal ōban; Image: 10 1/4 × 15 1/8 in. (26 × 38.4 cm)

Classification

Prints

Culture & Period

Japan · Edo period (1615–1868)

Department

Asian Art

Museum

Metropolitan Museum of Art, New York, NY

Credit

Purchase, Arnold Weinstein Gift, 2001

Accession Number

2001.715.14

Rights

Public Domain

Tags

CouplesPlants

Art Historical Context

This woodblock print by Keisai Eisen, created around 1825 during Japan’s Edo period, captures an intimate moment between a couple surrounded by delicate plants. Eisen, a prominent ukiyo-e artist, was celebrated for his expressive depictions of beautiful women and romantic or erotic scenes. Produced as a horizontal ōban sheet using ink and color on paper, the work exemplifies the vibrant printmaking tradition that flourished in urban centers like Edo (modern Tokyo). In the Edo period, woodblock prints served as affordable art for a growing middle class, blending everyday subjects with refined technique. The horizontal format allowed artists like Eisen to explore dynamic compositions, here emphasizing the tenderness of human connection amid nature. Such images often carried subtle layers of symbolism, with plants evoking themes of growth, transience, or seasonal beauty. Today, this piece in the Metropolitan Museum’s collection offers a window into the playful yet sophisticated visual culture of 19th-century Japan. Its survival highlights the enduring appeal of ukiyo-e as both popular entertainment and refined artistic expression.

About the Artist

Keisai Eisen · 17901848

Keisai Eisen (1790–1848), born Ikeda Yoshinobu in Edo (modern Tokyo), emerged as one of the late Edo period's most prolific ukiyo-e masters. The son of the renowned calligrapher and Kanō-school painter Ikeda Shigeharu, Eisen was immersed in the arts from childhood. He apprenticed under Kanō Hakkeisai, adopting the art name "Keisai" in homage to his teacher, and later studied bijin-ga (images of be...

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