Assumption of the Virgin

Art Historical Context

Behold the *Assumption of the Virgin a masterful preparatory drawing by Carlo Maratti one of Rome's premier Baroque artists of the late 17th and early 18th centuries. undated work captures the triumphant moment of the Virgin Mary's ascent into heaven, a beloved theme in Catholic art symbolizing faith, redemption, and divine glory. Maratti, influenced by the Carracci brothers and classical antiquity, infused his compositions with graceful figures, dramatic movement, and harmonious proportions, bridging High Baroque energy with emerging Rococo elegance. Executed in pen and brown ink, brush and brown wash, and black chalk on ivory laid paper (24.5 × 17.5 cm), this intimate sheet exemplifies the virtuoso techniques of Baroque draftsmanship. The fluid ink lines define dynamic poses, while subtle washes build depth and luminosity, suggesting the ethereal light of the Assumption. Such mixed-media drawings were essential studies for Maratti's grand altarpieces and frescoes, revealing an artist's process from initial chalk sketches to polished visions. Housed in the Art Institute of Chicago's Prints and Drawings Department, this gem highlights Maratti's role in sustaining Rome's artistic legacy amid Counter-Reformation fervor. For visitors, it offers a window into the devotional power of Baroque art, where every stroke elevates the spiritual.

About the Artist

Carlo Maratti · 1625–1713

Son of a Dalmatian father. Known as the last major Italian artist of the classical tradition, which had originated with Raphael. He created a grandiose and decorative style that was valued by his ecclesiastical patrons. Comment on works: History; Religious.