「楽器其三」|Biwa with Brocade Cover, from the series Musical Instruments

Ryūryūkyo Shinsai

probably 1808

「楽器其三」|Biwa with Brocade Cover, from the series Musical Instruments by Ryūryūkyo Shinsai

Medium

Woodblock print (surimono); ink and color on paper

Dimensions

5 1/2 x 7 3/8 in. (14 x 18.7 cm)

Classification

Prints

Culture & Period

Japan · Edo period (1615–1868)

Department

Asian Art

Museum

Metropolitan Museum of Art, New York, NY

Credit

H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929

Accession Number

JP1913

Tags

Musical Instruments

Art Historical Context

Discover the delicate charm of *Biwa with Brocade Cover (*Rakki sono san*), the third print in Ryūryūkyo Shinsai's enchanting series *Musical Instruments*. Created around 1808 during Japan's Edo period (16151868), this wood print (surimono measures a intimate 5½ x 7⅜ inches, showcasing Shinsai's mastery in the ukiyo-e tradition.imono, or "printed things," were luxurious, privately commissioned prints often produced for New Year's greetings or poetry circles, featuring vibrant colors, fine lines, and subtle embossing for a tactile elegance. At its heart is the biwa, a four-stringed lute centra...

About the Artist

Ryūryūkyo Shinsai · 17991823

Ryūryūkyo Shinsai (柳々居辰斎), active from 1799 to 1823, was a prominent Japanese ukiyo-e printmaker based in Edo (modern Tokyo), renowned for his mastery of surimono—luxurious, privately commissioned woodblock prints produced for elite poetry circles and New Year's celebrations. He began his training under Tawaraya Sōri before becoming a student of the legendary Katsushika Hokusai, from whom he recei...

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