Artheon MuseumArtheonMuseum

Bonnet

Bonnet by Margaret Concha

Medium

watercolor and graphite on paper

Dimensions

overall: 29.7 x 23 cm (11 11/16 x 9 1/16 in.)

Classification

Index of American Design

Department

CG-W

Museum

National Gallery of Art, Washington, D.C.

Credit

Index of American Design

Accession Number

1943.8.3116

Rights

Public Domain

Art Historical Context

**Bonnet**, a delicate watercolor and graphite rendering by Margaret Concha, captures the charm of traditional American folk headwear from the era of the Index of American (IAD). Created between 1935 and 1942, this 29.7 x 23 cm work belongs to a groundbreaking WPA Federal Art Project initiative during the Great Depression. The IAD employed over 200 artists to document everyday American crafts, preserving cultural heritage through precise, colorful studies of objects like quilts, furniture, and apparel that might otherwise be lost to time. Concha's piece exemplifies the IAD's signature style: meticulous graphite outlines paired with vibrant watercolors to highlight textures, patterns, and craftsmanship. Bonnets like this one, often worn by women in rural or pioneer communities, symbolized practicality and modesty in 19th-century American life. The medium's transparency allowed Concha to evoke the bonnet's subtle fabrics and ties with lifelike accuracy, bridging fine art and design documentation. Housed in the National Gallery of Art's CG-W department, this artwork underscores the IAD's role in celebrating vernacular creativity. It invites visitors to appreciate how ordinary items reflect broader stories of ingenuity and tradition in American history. (198 words)

About the Artist

Margaret Concha · 1897–1994

Margaret Concha is an artist whose life and career remain incompletely documented in the major scholarly literature on art history. No confirmed birth or death dates have been established, and details of her training, nationality, and primary working period are not reliably recorded in available sources. The works attributed to her suggest engagement with the visual traditions of her era, though ...

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