Artheon MuseumArtheonMuseum

Butter Mold

Butter Mold by Frances Lichten

Medium

watercolor and graphite on paper

Dimensions

overall: 30.5 x 23.5 cm (12 x 9 1/4 in.)

Classification

Index of American Design

Department

CG-W

Museum

National Gallery of Art, Washington, D.C.

Credit

Index of American Design

Accession Number

1943.8.16883

Rights

Public Domain

Art Historical Context

**Butter Mold**, a delicate watercolor and graphite rendering by Frances Lichten circa 1939, captures humble elegance of an everyday American folk art object. Created as part of the Index of American Design—a Federal Project under the Works Progress Administration (WPA) during the Great Depression—this artwork documents utilitarian tools that embodied regional craftsmanship. Lichten, a skilled illustrator for the Index, meticulously depicted the butter mold's carved wooden form, highlighting its role in 19th-century farm life where homemakers pressed fresh butter into decorative shapes for market or table. The Index aimed to preserve vanishing examples of American design, from quilts to tools, fostering national pride amid economic hardship. Butter molds, often hand-carved with motifs like animals or florals, symbolized self-sufficiency and folk artistry passed down through generations. Lichten's precise graphite outlines paired with vibrant watercolors bring out the mold's texture and patina, making the ordinary extraordinary. Housed in the National Gallery of Art's collection, this 30.5 x 23.5 cm piece exemplifies how WPA artists like Lichten blended documentation with artistry, safeguarding cultural heritage for future generations. It's a charming reminder of America's inventive spirit.

About the Artist

Frances Lichten · 1855–present

Frances Lichten was born in Bellefonte, Pennsylvania, in 1889. At fourteen she enrolled in the Pennsylvania Museum School of Industrial Art, where she studied design and interior decoration, while also pursuing landscape painting at the Pennsylvania Academy of Fine Arts. After graduating she worked as a commercial artist for nearly a decade, building the technical foundation that would later serve...

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