Artheon MuseumArtheonMuseum

Candlestick Supported by Putti

Niccolò Roccatagliata|Sebastiano Nicolini

first half 17th century or later

Candlestick Supported by Putti by Niccolò Roccatagliata|Sebastiano Nicolini

Medium

Copper alloy, with a black lacquer or wax patina.

Dimensions

H. 57.5 cm (excluding prickets).

Classification

Metalwork

Department

Robert Lehman Collection

Museum

Metropolitan Museum of Art, New York, NY

Credit

Robert Lehman Collection, 1975

Accession Number

1975.1.1381

Rights

Public Domain

Tags

Putti

Art Historical Context

In the opulent world of 17th-century Venetian decorative arts, the *Candlestick Supported by Put* stands as a delightful example of collaborative craftsmanship by sculptors Niccolò Rocagliata and Sebastianoini. Crafted in first half of the century or later from copper alloy, this elegant piece rises to 57.5 cm high (excluding prickets and features playful putti—those cherubic infant figures emblematic of Baroque exuberance—hoisting the candlestick aloft with chubby arms and mischievous grins. The black lacquer or wax patina lends an aged, luxurious sheen, mimicking ancient bronzes prized by Renaissance collectors. Roccatagliata, a master of Venetian bronze sculpture, and Nicolini infused the work with the lively dynamism of the Baroque style, where putti symbolized joy, fertility, and divine playfulness, often adorning altars, fountains, and furnishings for the elite. This metalwork masterpiece highlights advanced lost-wax casting techniques, allowing intricate details like the putti's flowing hair and muscular torsos to emerge with lifelike vitality. Functional yet sculptural, it blurred the line between utility and art, reflecting Italy's golden age of ecclesiastical and domestic luxury. Now part of the Robert Lehman Collection at The Metropolitan Museum of Art (acquired 1975), this candlestick invites visitors to appreciate the tactile allure of Renaissance-Baroque metalwork— a testament to Venice's enduring legacy in blending whimsy with technical prowess.

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