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Carved Wood Ornament

Carved Wood Ornament by Bertha Semple

Medium

watercolor, colored pencil, gold ink, and graphiteon paper

Dimensions

overall: 35.5 x 24.6 cm (14 x 9 11/16 in.) Original IAD Object: 2 3/8"square

Classification

Index of American Design

Department

CG-W

Museum

National Gallery of Art, Washington, D.C.

Credit

Index of American Design

Accession Number

1943.8.6609

Rights

Public Domain

Art Historical Context

Behold the delicate *Carved Wood Ornament a captivating watercolor rendering by Bertha Semple, created around 1937. This artwork faithfully documents a petite 2⅜-inch square wooden carving, scaled up to 35.5 × 24.6 cm on paper. Semple's meticulous depiction captures the intricate details of this folk art treasure, showcasing the artistry of everyday American craftsmanship from an earlier era. As part of the Index of American Design—a Federal Art Project under the Works Progress Administration (WPA) during the Great Depression—this piece exemplifies a national effort to celebrate and preserve the nation's decorative arts heritage. From 1935 to 1942, over 200 artists produced more than 15,000 such renderings of objects like quilts, furniture, and carvings, ensuring that humble yet culturally vital items were not lost to time. Housed in the National Gallery of Art's collection, it highlights the diversity of American folk traditions. Semple employed a masterful blend of watercolor, colored pencil, gold ink, and graphite to achieve luminous realism and precision. The gold ink evokes the ornament's potential metallic accents, while the mixed media allowed for vibrant textures and subtle shading, bridging historical craft with modern documentation. A charming window into America's creative past, it invites us to appreciate the beauty in small-scale ingenuity.

About the Artist

Bertha Semple · 1903–1965

Bertha Semple is an artist for whom reliable biographical documentation is currently sparse. Her dates, nationality, and the details of her training have not been firmly established in the available art historical record, making it difficult to place her work within a specific school or movement with confidence. The works associated with her name suggest an artist with genuine technical engagemen...

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