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Cassetta frame

Unknown Artist

late 19th century, style mid-16th century

Cassetta frame by Unknown Artist

Medium

Poplar half-lapped back frame with applied ebony and ebonized pearwood upper moldings.

Dimensions

Overall: 17 1/8 × 15 3/16 in. (43.5 × 38.5 cm) Sight: 11 13/16 × 9 3/4 in. (30 × 24.7 cm) Rabbet: 12 3/16 × 10 1/4 in. (31 × 26 cm)

Classification

Frames

Culture

Italian, Veneto

Department

Robert Lehman Collection

Museum

Metropolitan Museum of Art, New York, NY

Credit

Robert Lehman Collection, 1975

Accession Number

1975.1.2300

Rights

Public Domain

Art Historical Context

This exquisite Cassetta frame, hailing from Italy's Veneto region, exemplifies a late 19th-century revival mid-16th-century style. Cassetta frames, meaning "little box" in Italian, originated in Venice during the High Renaissance, designed as self-contained architectural panels that framed paintings like precious jewels. Though crafted around 1900 by an unknown artisan, its classical proportions and bold moldings evoke the opulent workshops of 16th-century Venice, where frames were integral to a painting's presentation, enhancing its narrative and status. Constructed from poplar with a half-lapped back for sturdy structural integrity, the frame features applied ebony moldings for rich contrast and ebonized pearwood on the upper sections, mimicking the luxurious dark tones prized in Renaissance interiors. Measuring 17 1/8 × 15 3/16 inches overall, with a sight size of about 12 × 10 inches, it was tailored for a modest portrait or devotional panel, underscoring the period's precision in woodworking. Now part of the Robert Lehman Collection at The Metropolitan Museum of Art (acquired 1975), this frame highlights the enduring allure of Venetian design traditions. It reminds us that frames were not mere supports but artistic partners, transforming paintings into conversation pieces in grand palazzi. A testament to 19th-century historicism, it bridges eras with timeless elegance.

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