『欧州管絃楽合奏之図』|Concert of European Music (Ōshū kangengaku gassō no zu)

『欧州管絃楽合奏之図』|Concert of European Music (Ōshū kangengaku gassō no zu) by Yōshū (Hashimoto) Chikanobu

Medium

Triptych of woodblock prints; ink and color on paper

Dimensions

Image: 14 1/2 x 29 in. (36.8 x 73.7 cm)

Classification

Prints

Culture & Period

Japan · Meiji period (1868–1912)

Department

Asian Art

Museum

Metropolitan Museum of Art, New York, NY

Credit

Gift of Lincoln Kirstein, 1959

Accession Number

JP3276

Tags

CellosSingingMusical InstrumentsMenWomenConcertsPianosViolins

Art Historical Context

In Yōshū (Hashimoto) Chikanobu's *Concert of European Music* (1889), a captivating triptych woodblock print unfolds a panoramic scene of Western orchestral splendor. Vibrant inks and colors on paper bring to life musicians wielding cellos, violins, and piano, alongside singers and a mixed audience of men and women in formal attire, evoking the excitement of a European concert hall transported to Japan. Created during the Meiji period (1868–1912), this artwork captures Japan's whirlwind of modernization, when the nation eagerly embraced Western influences amid rapid industrialization and cultu...

About the Artist

Yōshū (Hashimoto) Chikanobu · 18381912

Toyohara Chikanobu, born Hashimoto Naoyoshi in 1838 in Echigo Province (modern Niigata Prefecture), emerged as one of the last great ukiyo-e masters during Japan's Meiji era. The son of a low-ranking samurai retainer to the Sakakibara clan, he trained initially in the Kanō school of painting before turning to ukiyo-e printmaking. He studied under a disciple of Keisai Eisen, then joined the studio ...

    Send Feedback

    We use this only to reply to your feedback.