Artheon MuseumArtheonMuseum

Cup with Handle in the Form of a Scholar Seated Beneath a Pine Tree

Unknown

Late Ming (1368–1644) or early Qing dynasty (1644–1911), 17th/18th century

Cup with Handle in the Form of a Scholar Seated Beneath a Pine Tree by Unknown

Medium

Rhinoceros horn

Dimensions

5.7 × 13 × 8.2 cm (2 1/4 × 5 1/8 × 3 1/4 in.)

Classification

drinking vessel

Department

Arts of Asia

Museum

Art Institute of Chicago

Accession Number

35926

Rights

Public Domain

About this artwork

This cup is crafted from rhinoceros horn, a precious material that was imported to China from Southeast Asia during the late Imperial period, and gained popularity among the elites of that era. The craftsman who fashioned this vessel paid great attention to highlighting the visual and material qualities of the rhinoceros horn. The cup’s oval, flaring shape follows the natural curvature of the horn, while its surface has been carefully polished to accentuate the material’s rich amber-brown color ...

Art Historical Context

This exquisite *Cup with Handle in the Form of a Scholarated Beneath a Pine Tree is a masterful example of Chinese craftsmanship from the late Ming (1368–1644) or early Qing dynasty (4–1911), to the 17th or 18th century. Carved from a single piece of rhinoceros—a rare and luxurious material prized by the elite—the vessel measures just 5.7 × 13 × 8.2 cm, making it perfectly suited for intimate sipping of wine or tea. Rhino horn was not only valued for its translucency and durability but also believed to possess medicinal properties and the ability to detect poison, elevating such cups to status symbols among scholars and officials. The handle, ingeniously shaped as a scholar reclining beneath a gnarled pine tree, embodies core Chinese cultural ideals. The pine, an evergreen enduring harsh winters, symbolizes longevity and resilience, while the scholarly figure evokes Confucian virtues of wisdom, contemplation, and harmony with nature. Artisans employed meticulous freehand carving techniques, exploiting the horn's natural texture to create lifelike details—from the scholar's flowing robes to the pine's twisting branches—without metal tools, showcasing extraordinary skill. Held in the Art Institute of Chicago's Arts of Asia collection, this drinking vessel offers a window into imperial China's refined aesthetic, where functionality merged seamlessly with philosophical symbolism. Visitors can marvel at how such a humble object encapsulated the era's aspirations for immortality and intellectual pursuit.

About the Artist

Unknown

The artist designated as "Unknown" in our virtual museum's collection exemplifies a poignant chapter in art history: creators whose identities have faded into obscurity despite the enduring power of their work. With only one known artwork attributed to them in our holdings, this figure represents countless anonymous hands that shaped visual culture across centuries. Museums worldwide, including th...

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