For the French Alpine Club
19th century
Medium
Bronze, struck, silvered
Dimensions
2 5/16 × 1 3/4 in. (59 × 44 mm)
Classification
Medals and Plaquettes
Culture
French
Department
European Sculpture and Decorative Arts
Museum
Metropolitan Museum of Art, New York, NY
Credit
Gift of Samuel P. Avery, 1893
Accession Number
93.10.11a, b
Rights
Public Domain
Tags
Art Historical Context
Created in the 19th century by renowned French engraver Louis-Oscar Roty, *For the French Alpine Club is a finely crafted silvered bronze medal, struck with precision to capture intricate details. Measuring just 2 5/16 × 1 3/4 inches (59 × 44 mm), this petite plaquette exemplifies the Renaissance-inspired revival of medal art in France, where small-scale sculptures served as wearable or displayable tokens of prestige and achievement. The medal commemorates the French Alpine Club, founded in 1874 amid a surge of Romantic fascination with mountaineering and the sublime beauty of the Alps. Roty's design likely honors the daring exploits of male climbers—evident from its thematic tags—reflecting the era's growing alpine tourism and national pride in exploration. As part of the Metropolitan Museum of Art's European Sculpture and Decorative Arts collection, gifted by Samuel P. Avery in 1893, it highlights medals as a democratic art form, blending sculpture's monumentality with the intimacy of jewelry. Roty's mastery of low-relief engraving brought lifelike depth to bronze, with silvering adding a luminous sheen that evokes snowy peaks. This piece invites visitors to appreciate how 19th-century medallists elevated everyday honors into enduring cultural artifacts, bridging sport, nationalism, and artistry.
About the Artist
Louis-Oscar Roty · 1846–1911
Louis-Oscar Roty, commonly known as Oscar Roty (1846–1911), was born on June 11 in Paris's Belleville neighborhood, the son of a modest schoolmaster. He began his artistic training under Horace Lecoq de Boisbaudran at the Petite École (later the École des Arts Décoratifs), honing his drawing skills, before entering the École des Beaux-Arts in 1864. There, he studied sculpture and medal engraving u...