Gabriele D'Annunzio
1917
Medium
etching with plate tone on Van Gelder laid paper
Dimensions
plate: 29.9 x 23.8 cm (11 3/4 x 9 3/8 in.) sheet: 32.7 x 26.8 cm (12 7/8 x 10 9/16 in.)
Classification
Department
CG-E
Museum
National Gallery of Art, Washington, D.C.
Credit
Gift of Mr. and Mrs. Daniel Bell, in Honor of the 50th Anniversary of the National Gallery of Art
Accession Number
1991.28.14
Rights
Public Domain
Art Historical Context
In 1917, French artist Albert Besnard created this striking etching with plate tone, portraying the flamboyant Italian poet, playwright, and war hero Gabriele D'Annzio. Besnard, renowned for his expressive portraits and mastery of printmaking, captures D'Annunzio during World War I—a time when the writer was not only penning patriotic verses but also serving as an aviator and propagandist for Italy. This intimate depiction, housed in the National Gallery of Art as a gift honoring its 50th anniversary, reflects the era's fascination with larger-than-life cultural figures amid global upheaval. The medium is etching with plate tone on fine Van Gelder laid paper, a technique Besnard employed to achieve rich, velvety textures. Etching involves incising lines into a metal plate with acid for precise detail, while plate tone—created by selectively wiping ink from the surface—adds atmospheric depth and a painterly quality rare in prints. This allows subtle shading and mood, evoking D'Annunzio's charismatic intensity without the rigidity of line alone. Measuring about 12 by 10 inches, the work exemplifies early 20th-century printmaking's blend of tradition and innovation, bridging Besnard's Symbolist roots with modern portraiture. A testament to Franco-Italian artistic exchange, this print invites visitors to ponder D'Annunzio's enduring legacy as a muse for the avant-garde, his image forever etched in history.
About the Artist
Albert Besnard · 1849–1934
Paul-Albert Besnard, known as Albert Besnard, was born on June 2, 1849, in Paris to an artistic family: his father, Louis Adolphe Ferdinand Besnard, was a history painter and pupil of Ingres, while his mother, Marie Louise Pauline Vaillant, was a noted miniaturist trained under Lizinska de Mirbel. Precociously talented, he began his training under Jean-François Brémond before entering the École de...