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Hand with base

Auguste Rodin

modeled possibly ca. 1885

Hand with base by Auguste Rodin

Medium

Cast plaster

Dimensions

Height: 3 1/4 in. (8.3 cm)

Classification

Sculpture

Culture

French

Department

European Sculpture and Decorative Arts

Museum

Metropolitan Museum of Art, New York, NY

Credit

Presented by Rodin to his pupil Malvina Hoffman and given by her to The Metropolitan Museum of Art, Bequest of Malvina C. Hoffman, 1966

Accession Number

66.247.2

Rights

Public Domain

Tags

Hands

Art Historical Context

This intimate plaster sculpture, titled * with base*, was modeled by the French artist Auguste Rodin possibly around 1885. Measuring just 3 1/4 inches high, the small-scale work captures a human hand in careful detail, resting on a simple base. As a cast plaster piece, it belongs to a tradition of sculptural studies that allowed artists to explore form, anatomy, and gesture before committing to larger bronze or marble versions. Rodin, a leading figure in late-nineteenth-century European sculpture, brought a new expressiveness and naturalism to the medium, moving beyond rigid academic conventions toward more fluid, emotionally charged forms. Hands held particular interest for him as vehicles of character and movement, and this modest fragment reflects that focus. Created during a fertile period in his career, it exemplifies the intimate, experimental side of his practice. Rodin presented the work to his American pupil Malvina Hoffman, who later bequeathed it to The Metropolitan Museum of Art. This personal history adds a layer of mentorship and transatlantic connection, inviting visitors to consider how even the smallest of Rodin’s sculptures can convey both technical mastery and human presence.

About the Artist

Auguste Rodin · 1840–1917

François Auguste René Rodin (1840-1917) stands as the founder of modern sculpture, transforming the art form from academic tradition into expressive modernism. Born into a working-class Parisian family, Rodin faced early rejection, failing three times to gain admission to the prestigious École des Beaux-Arts. This setback forced him to work as a craftsman for nearly two decades, though his 1875 tr...

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