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Head of a Bearded Elder

Head of a Bearded Elder by Augustin Pajou

Medium

Terracotta on a bleu turquin marble socle

Dimensions

without socle, confirmed: 14 1/4 × 12 1/8 × 9 1/2 in. (36.2 × 30.8 × 24.1 cm) with socle, confirmed: 21 1/2 × 12 1/8 × 9 1/2 in., 43.1 lb. (54.6 × 30.8 × 24.1 cm, 19.6 kg)

Classification

Sculpture

Culture

French, probably Paris

Department

European Sculpture and Decorative Arts

Museum

Metropolitan Museum of Art, New York, NY

Credit

Purchase, Lila Acheson Wallace Gift, 2003

Accession Number

2003.25

Rights

Public Domain

Tags

HeadsMenPortraits

Art Historical Context

Augustin Pajou's *Head of a Bearded* (1768) is a captivating terracotta bust that exemplifies the neoclassical precision and humanism of one of France's foremost 18th-century sculpt. Pajou, a Prix de Rome winner who served the royal court under Louis XV, crafted this introspective portrait from Paris, likely as a study or modello for larger marble works. The elder's weathered features—deep-set eyes, furrowed brow, and flowing beard—convey wisdom and gravitas, inviting viewers to ponder his untold story. Terracotta, a favored medium for sculptors' preliminary models, allowed Pajou to achieve a remarkable tactility and immediacy. The warm, earthy clay captures subtle surface textures, from the elder's tousled hair to the fine wrinkles of age, showcasing Pajou's mastery of form and expression. Mounted on an elegant bleu turquin marble socle, the 21½-inch-high sculpture gains a pedestal-like poise, blending raw modeling with refined finish—a nod to the era's transition from Rococo exuberance to neoclassical restraint. Acquired by The Metropolitan Museum of Art in 2003, this piece highlights French portraiture's psychological depth, bridging antiquity's ideals with Enlightenment-era realism. It's a testament to Pajou's enduring influence on European sculpture.

About the Artist

Augustin Pajou · 1730–1809

Augustin Pajou (1730–1809) was one of the foremost French sculptors of the second half of the eighteenth century, whose long and distinguished career bridged the Rococo grace of the Ancien Régime and the more sober classicizing spirit that emerged in the revolutionary and Napoleonic periods. Born in Paris into a family with artistic connections — his father was an ornamental sculptor — Pajou showe...

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