Hercules, grasping Antaeus at the waist with both arms and lifting him off his feet, in background at right the ruins of a temple, at left a group of trees against which are posed a club and the skin of a lion

Hercules, grasping Antaeus at the waist with both arms and lifting him off his feet, in background at right the ruins of a temple, at left a group of trees against which are posed a club and the skin of a lion by Marcantonio Raimondi

Medium

Engraving; only state

Dimensions

Sheet: 6 3/4 × 4 7/16 in. (17.2 × 11.3 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949

Accession Number

49.97.105

Tags

HerculesTrees

Art Historical Context

In this dynamic engraving by Marcantonio Raimondi one of the Renaissance's premier printmakers, Hercules triumphs the giant Antaeus in a scene brimming with muscular tension and classical drama. Dated around 1500–1550, the work captures Hercules gripping Antaeus at the waist with both arms, hoisting him skyward to sever his earth-born strength—a clever nod to the myth where the giant drew power from his mother, Gaia. In the background, ruins evoke ancient glory at right, while a cluster of trees at left frames the hero's club and Nemean lion skin, symbols of his legendary labors. Raimondi's m...

About the Artist

Marcantonio Raimondi · 14751534

Marcantonio Raimondi (c. 1480–1534), born near Bologna, Italy, emerged as one of the Renaissance's premier engravers, revolutionizing printmaking through his mastery of reproductive techniques. He trained in the workshop of the goldsmith, painter, and niellist Francesco Francia, whose influence is evident in his early engravings, such as the goldsmith-like shading in *Pyramus and Thisbe* (1505), h...

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