Artheon MuseumArtheonMuseum

Ibsamboul, Partie Septentrionale Du Spéos D'Hathor; Nubie, plate 108 from the album "Egypte, Nubie, Palestine et Syrie" (1852)

Maxime Du Camp

1849/51, printed 1852

Ibsamboul, Partie Septentrionale Du Spéos D'Hathor; Nubie, plate 108 from the album "Egypte, Nubie, Palestine et Syrie" (1852) by Maxime Du Camp

Medium

Salted paper print

Dimensions

Image/paper: 16.1 × 21.8 cm (6 3/8 × 8 5/8 in.); Album page: 30 × 42.9 cm (11 13/16 × 16 15/16 in.)

Classification

salted paper print

Department

Photography and Media

Museum

Art Institute of Chicago

Accession Number

144322

Art Historical Context

Step into the sun-baked sands of ancient Nubia with Maxime Du's *Ibsamboul, Partie Septentrionale Du Spéos D'Hathor*, plate 108 from his groundbreaking album *Egypte,ie, Palestine et Syrie (1852). Captured during Du Camp's 1849–51 expedition alongside writer Gustave Flaubert, this salted paper print (16.1 × 21.8 cm) preserves a moment from one of the earliest photographic journeys to Egypt's monumental sites. As a pioneering French photographer, Du Camp documented over 500 images, revolutionizing how the world viewed antiquity through the lens of the calotype process. The image focuses on the...

About the Artist

Maxime Du Camp · 1822present

Maxime Du Camp (1822–1894) was a pioneering French photographer and writer whose adventurous spirit and technical innovation bridged literature and visual art during the mid-19th century. Born in Paris on February 8, 1822, to a prosperous family—his father a successful surgeon—Du Camp received a solid bourgeois education at the Collège Bourbon (now Lycée Condorcet), where he cultivated interests i...

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