大山綱良糾問の図|Illustration of the Inquisition of Ōyama Tsunayoshi (Ōyama Tsunayoshi kyūmon no zu)

大山綱良糾問の図|Illustration of the Inquisition of Ōyama Tsunayoshi (Ōyama Tsunayoshi kyūmon no zu) by Yōshū (Hashimoto) Chikanobu

Medium

One sheet of a triptych of woodblock prints; ink and color on paper

Dimensions

Triptych 13 15/16 x 28 1/8 in. (35.4 x 71.4 cm)

Classification

Prints

Culture & Period

Japan · Meiji period (1868–1912)

Department

Asian Art

Museum

Metropolitan Museum of Art, New York, NY

Credit

Gift of Lincoln Kirstein, 1959

Accession Number

JP3236

Tags

Men

Art Historical Context

This striking woodblock print, titledIllustration of the Inquisition ofŌyama Tsunay* (*Ōyama Tsunay kyūmon no zu is one sheet from a triptych created by the renowned ukiyo-e artist Yshū (Hashimoto) Chikanobu in August1877. Chikanobu, active during Japan's Meiji period (1868–1912), specialized in dynamic historical scenes and warrior prints, blending traditional woodblock techniques with the era's growing interest in national heritage amid rapid modernization. The artwork captures a tense moment of interrogation, likely drawing from Edo-period samurai lore involving the figure Ōyama Tsunayoshi...

About the Artist

Yōshū (Hashimoto) Chikanobu · 18381912

Toyohara Chikanobu, born Hashimoto Naoyoshi in 1838 in Echigo Province (modern Niigata Prefecture), emerged as one of the last great ukiyo-e masters during Japan's Meiji era. The son of a low-ranking samurai retainer to the Sakakibara clan, he trained initially in the Kanō school of painting before turning to ukiyo-e printmaking. He studied under a disciple of Keisai Eisen, then joined the studio ...

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