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Independence Hall

Independence Hall by Childe Hassam

Medium

drypoint in black

Dimensions

plate: 17.15 × 22.54 cm (6 3/4 × 8 7/8 in.)

Classification

Print

Department

CG-W

Museum

National Gallery of Art, Washington, D.C.

Credit

Gift of Miss Elisabeth Achelis

Accession Number

1942.6.46

Rights

Public Domain

Art Historical Context

Childe Hassam's *Independence Hall* (1926) captures one of America's most revered landmarks—the Philadelphia building where the Declaration of Independence signed in 1776. As a leading figure in American Impressionism, Hassam often celebrated national symbols through his luminous urban scenes and flag motifs, especially during and after World War I. drypoint print reflects his fascination with patriotic architecture, rendered with a soft, atmospheric glow that evokes the hall's enduring spirit amid early 20th-century America. Printed in black ink on a modest plate (17.15 × 22.54 cm), drypoint allowed Hassam to scratch directly into the metal surface, producing rich, velvety burrs and textured lines that mimic the play of light on stone and shadow. Unlike smoother etching techniques, drypoint's intimate, hand-worked quality suited Hassam's impressionistic style, emphasizing mood over precise detail. This edition, gifted to the National Gallery of Art by Miss Elisabeth Achelis, exemplifies his printmaking prowess in the Print department. For visitors, this work bridges Revolutionary history with modern artistry, inviting reflection on independence's timeless legacy. Spot the subtle tonal shifts that bring the iconic steeple to life— a testament to Hassam's skill in small-scale masterpieces.

About the Artist

Childe Hassam · 1859–1935

Frederick Childe Hassam, born on October 17, 1859, in Dorchester, Massachusetts, to a family of New England descent with ties to Nathaniel Hawthorne through his mother, Rosa Delia Hawthorne, displayed an early aptitude for art. After his father's cutlery business was ruined by the Great Boston Fire of 1872, Hassam apprenticed as a wood engraver under George E. Johnson while taking drawing and wate...

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