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Inspiration

Inspiration by Henri Fantin-Latour

Medium

Lithograph in black on china paper

Dimensions

plate: 26.8 x 22.1 cm (10 9/16 x 8 11/16 in.) sheet: 38 x 28 cm (14 15/16 x 11 in.)

Classification

Print

Department

CG-E

Museum

National Gallery of Art, Washington, D.C.

Credit

Virginia and Ira Jackson Collection, gift in memory of Virginia H. Jackson

Accession Number

1996.151.44

Rights

Public Domain

Art Historical Context

Henri Fantin-Latour's *Inspiration* (1895) is a striking lithograph in black ink on delicate china paper, capturing the artist's mastery of printmaking in his later years. Measuring 26.8 x 22.1 cm on the plate, this intimate work exemplifies Fantin-Latour's transition from Realism to more poetic, Symbolist influences. A prominent French artist of the 19th century, he was renowned for his meticulous portraits of fellow artists and lush still lifes, but his lithographs—like this one—reveal a softer, more atmospheric style, blending drawing's spontaneity with painting's depth. Lithography, Fantin-Latour's favored medium here, allowed him to achieve velvety tones and subtle gradations on the smooth china paper, prized for its translucency and ability to hold fine details. Created during the fin-de-siècle era, when printmaking flourished as an accessible art form, *Inspiration* reflects the cultural fascination with creativity and muses amid Paris's vibrant artistic scene. Though specifics of its imagery remain evocative of imaginative reverie, the work's technical finesse underscores Fantin-Latour's enduring legacy. Now part of the National Gallery of Art's Virginia and Ira Jackson Collection (gift in memory of Virginia H. Jackson), this print invites visitors to appreciate how 19th-century innovation made profound art attainable to wider audiences.

About the Artist

Henri Fantin-Latour · 1836–1904

Ignace Henri Jean Théodore Fantin-Latour was born on January 14, 1836, in Grenoble, France, to portrait painter Théodore Fantin-Latour, who gave him his earliest drawing lessons. The family relocated to Paris in 1841, where in 1850, at age 14, he enrolled in the École de Dessin, studying under Horace Lecoq de Boisbaudran, whose innovative memory-based method of drawing from observation profoundly ...

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