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Long Venice by James McNeill Whistler (1834-1903)

Classification

Print

Department

Smithsonian Collection

Museum

Smithsonian American Art Museum

Credit

Gift of Charles Lang Freer

Accession Number

F1898.400

Rights

Public Domain

Tags

American ArtCharles Lang Freer collectionUnited Statesboatcityetching (printing process)water

About this artwork

3, 5

Art Historical Context

James McNeill Whistler, a leading figure in the Aesthetic movement and champion of "art for art's sake created *Long Venice* during his stay in Venice from 1879 to 1880. This etching captures the city's evocative essence—its shimmering waterways, distant boats, and hazy urban silhouettes—through Whistler's masterful use of subtle lines and tonal gradations. Produced as part of his acclaimed Venice etchings series, the print reflects his fascination with atmospheric effects, drawing inspiration from Japanese prints and the fleeting play of light on water. Whistler's etching technique revolutionized printmaking, allowing for intricate textures and a sense of immediacy that mimicked drawing. Unlike detailed topographical views, *Long Venice* prioritizes mood over precision, inviting viewers to feel Venice's languid beauty rather than catalog its landmarks. Donated to the Smithsonian American Art Museum by collector Charles Lang Freer, a devoted Whistler patron, this work joins a treasure trove of American art highlighting innovative 19th-century techniques. For visitors, *Long Venice* offers a poetic window into Whistler's world, where simplicity evokes profound serenity—a timeless reminder of Venice's allure through an American artist's eyes.

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