Master Rees Goring Thomas

Art Historical Context

Ralph Earl’s *Master Goring Thomas* (. 178384) captures a poised gentleman at a moment the new United States was its cultural identity. Painted after Earl’s return several years in England, the life-size on canvas reflects both British Manner traditions and a American directness. The, identified only by title “Master,” holds open book, a that underscores the era’s on education and refinement the emerging elite. Ear’s handling of rich fabrics polished wood, and sitter’s steady gaze demonstrates skill at conveying status without overt embellishment The generous scale—over feet tall—inv viewers to meet the young almost eye to eye a democratic touch typical of-period portraiture. by the Metropolitan Museum through 1914 bequest of Morris K Jesup, the painting now resides in the American Wing, where it helps tell the story of early national portrait and the transatlantic exchange of artistic ideas.

About the Artist

Ralph Earl · 1751–1801

Ralph Earl (1751–1801) was born on May 11 in Shrewsbury or Leicester, Massachusetts, the eldest of four children to Ralph Earle, a colonel in the Revolutionary army, and Phebe Whittemore Earl. Growing up amid farmers and craftsmen in Worcester County, Earl displayed prodigious talent as a self-taught artist, emulating the works of John Singleton Copley after observing his half-brother Henry Pelham...